Money Notes for Days: Sustainable Singing for Popular Styles
Thursday 28th March 2024, 5:00 PM - 7:00 PM (London Time)
It’s a fact that most university training for singers is in the acoustic, Western classical genres. It’s also a fact that most clients and students of independent voice instructors want training in popular styles and contemporary music theatre. The obvious outcome of this disconnect is that most voice teachers and coaches are ill-equipped to meet the needs of their clients.
Understanding how to be an effective coach for singers of popular musics requires more than just a few handy exercises. Being an effective coach means understanding why you’re not a teacher, what your client’s assumptions are around the coaching process, and which tools they need to navigate the world of amplified music.
Your brain sings before you do. It also turns sound waves into hearing. When voice coaches know how to work with the way people are 'wired', they can stop guessing, and feel empowered in their abilities to help their clients.
In this workshop, you’ll begin to train your ears to what you’ve been missing in popular styles. We’ll identify the 'it' factor, and learn how it can be the magic to sustainable high, rock 'belt'; the sound singers of contemporary music theatre, R&B, indie, rock and jazz, and your singer-songwriters nearly all want to achieve.
We’re going to look at two concepts, both the 'why' and the 'how'. You’ll also find out about a single word you may be using that could be holding your students back! You’ll get to watch your own brain in action, and you’ll leave with powerful tools to apply to your teaching.
Meredith Colby
Author, teacher, coach and speaker Meredith Colby is the author of Money Notes: How to Sing High, Loud, Healthy, and Forever, and the creator of Neuro-Vocal, an approach to singing for popular styles based on neuroscience.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 5th August 2025
1:00 PM - 12:00 PM
Tuesday 12th August 2025
1:00 PM - 2:00 PM
Tuesday 19th August 2025
1:00 PM - 2:00 PM
Tuesday 26th August 2025
1:00 PM - 12:00 PM
Tuesday 2nd September 2025
1:00 PM - 1:00 PM
Tuesday 9th September 2025
1:00 PM - 2:00 PM
Tuesday 16th September 2025
1:00 PM - 2:00 PM
Tuesday 23rd September 2025
1:00 PM - 2:00 PM
(London Time)
Certificate in Acting Approaches for Singing Teachers
Louisa Morgan
Are you a singing teacher looking to elevate your students’ performances? Join our very own Louisa Morgan, as she takes a deeper dive into acting approaches that singing teachers can use to integrate powerful acting techniques into singing lessons. This 8 session course is perfect for those who want to help their singers connect deeply with the story behind the song. Gain practical tools and techniques that you can immediately apply in your teaching! Come along live for an interactive experience, or watch on playback at your leisure.
Thursday 11th September 2025
5:00 PM - 7:00 PM
(London Time)
The Tongue as a Gateway to Voice, Resonance, Style and Intelligibility
Dr Angelika Nair
Healthy vocal production depends on a finely tuned, athletic apparatus—a symphony of muscular interaction engaging the respiratory system, the laryngeal mechanism, and the resonance spaces of the pharyngeal, oral, and nasal cavities. Among these, the tongue stands out as one of the most critical yet least understood contributors to voice production. Join Dr Angelika Nair as she unpicks the essential anatomical insights that reveal the tongue’s role in shaping sound, influencing resonance, and impacting style and intelligibility!
Tuesday 16th September 2025
5:00 PM - 7:00 PM
(London Time)
The Science Underlying Semi-Occluded Vocal Tract Exercises (SOVT)
Dr Ingo Titze
Karin Titze Cox
Semi-occluded vocal tract exercises have a long history. Humans and animals have discovered that aerodynamic and acoustic pressures above the larynx can position the vocal folds for better self-sustained oscillation. Join Dr Ingo Titze and Karin Titze Cox as they unpick this fascinating topic!