Short Courses & Events / Archive

Money Notes for Days: Sustainable Singing for Popular Styles

Thursday 28th March 2024, 5:00 PM - 7:00 PM (London Time)

It’s a fact that most university training for singers is in the acoustic, Western classical genres. It’s also a fact that most clients and students of independent voice instructors want training in popular styles and contemporary music theatre. The obvious outcome of this disconnect is that most voice teachers and coaches are ill-equipped to meet the needs of their clients.

Understanding how to be an effective coach for singers of popular musics requires more than just a few handy exercises. Being an effective coach means understanding why you’re not a teacher, what your client’s assumptions are around the coaching process, and which tools they need to navigate the world of amplified music.

Your brain sings before you do. It also turns sound waves into hearing. When voice coaches know how to work with the way people are 'wired', they can stop guessing, and feel empowered in their abilities to help their clients.

In this workshop, you’ll begin to train your ears to what you’ve been missing in popular styles. We’ll identify the 'it' factor, and learn how it can be the magic to sustainable high, rock 'belt'; the sound singers of contemporary music theatre, R&B, indie, rock and jazz, and your singer-songwriters nearly all want to achieve.

We’re going to look at two concepts, both the 'why' and the 'how'. You’ll also find out about a single word you may be using that could be holding your students back! You’ll get to watch your own brain in action, and you’ll leave with powerful tools to apply to your teaching.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Meredith Colby

Author, teacher, coach and speaker Meredith Colby is the author of Money Notes: How to Sing High, Loud, Healthy, and Forever, and the creator of Neuro-Vocal, an approach to singing for popular styles based on neuroscience.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Are kids just young adults? Paediatric voice disorders, anatomy, and physiology
Thursday 13th March 2025
5:00 PM - 7:00 PM
(London Time)

Are kids just young adults? Paediatric voice disorders, anatomy, and physiology

Dr. Rita Patel

Are children simply young adults when it comes to their voice? This short course will dive deep into paediatric voice disorders, exploring the key anatomical and physiological differences between children’s vocal development and that of adults. Understanding these distinctions is crucial for effective diagnosis and treatment of voice disorders in children.

Empowering Your Personal Brand and Expressing Identity: Practical Strategies for Voice Professionals
Tuesday 18th March 2025
2:00 PM - 3:00 PM
Tuesday 25th March 2025
2:00 PM - 3:00 PM
Tuesday 1st April 2025
2:00 PM - 3:00 PM
(London Time)

Empowering Your Personal Brand and Expressing Identity: Practical Strategies for Voice Professionals

Joshua Lee-Cummins

This three-week course provides voice professionals with a structured and interactive approach to defining their identity, connecting with their audience, and implementing small but impactful changes to enhance their practice.

Understanding Muscle Physiology: Towards an Applied Framework for Singing Voice Training and Rehabilitation
Tuesday 18th March 2025
5:00 PM - 7:00 PM
(London Time)

Understanding Muscle Physiology: Towards an Applied Framework for Singing Voice Training and Rehabilitation

Dr. Mary Sandage

If singers are vocal athletes, then muscle physiology considerations should be part of our training and rehabilitation programs. A web search for guidance to train up for a 5k will yield millions of hits, while strength and conditioning requirements for recital preparation yields very little.