Pedagogic Misconceptions and Their Correction
Thursday 21st November 2024, 5:00 PM - 7:00 PM (London Time)
Things are not always as they seem. Many fairly prevalent conceptions of vocal function and resultant studio directives are either inaccurate in part or in whole, misleading, and therefore in need of correction or at least significant qualification.
This presentation will list a number of them, suggest why they may have evolved (what value they may legitimately offer), supplant those that frankly misdirect function, and qualify those that merely need adjustment or clarification. Examples include matters of laryngeal location relative to function; position of mouth, lips, tongue, extent of jaw opening; respiratory function; and vocal registration. Corrections are drawn from correlations between successful historic pedagogy, emerging voice science, acoustic vocal pedagogy, and the experience-gleaned observations of the presenter.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Ken Bozeman
Kenneth Bozeman, BM, MM,Professor Emeritus of Music, taught at Lawrence University for 42 years where he chaired the voice department and from...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
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We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
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Dr Robert Sataloff
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5:00 PM - 7:00 PM
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Dr Tish Oney
The Dalcroze Method taught by Swiss music teacher Émile Jaques-Dalcroze (1865-1950) has long been valued as a tool for teaching music in group settings (ensembles, choirs, music classes, etc.) But what about its one-on-one use in the applied voice studio? Join Dr. Tish Oney for this interactive short course and learn about the history and principles of this important method of music education. Through the employ of Dalcroze movements and concepts, singers and teachers explore music in ways that can reduce tension and increase the fun of music making, while encouraging discovery of technical and theoretical skill-building practices.