Pedagogic Misconceptions and Their Correction
Thursday 21st November 2024, 5:00 PM - 7:00 PM (London Time)
Things are not always as they seem. Many fairly prevalent conceptions of vocal function and resultant studio directives are either inaccurate in part or in whole, misleading, and therefore in need of correction or at least significant qualification.
This presentation will list a number of them, suggest why they may have evolved (what value they may legitimately offer), supplant those that frankly misdirect function, and qualify those that merely need adjustment or clarification. Examples include matters of laryngeal location relative to function; position of mouth, lips, tongue, extent of jaw opening; respiratory function; and vocal registration. Corrections are drawn from correlations between successful historic pedagogy, emerging voice science, acoustic vocal pedagogy, and the experience-gleaned observations of the presenter.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Ken Bozeman
Kenneth Bozeman, BM, MM,Professor Emeritus of Music, taught at Lawrence University for 42 years where he chaired the voice department and from...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
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We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 13th January 2026
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Debbie Winter
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Thursday 22nd January 2026
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5:00 PM - 7:00 PM
Thursday 5th February 2026
5:00 PM - 7:00 PM
Thursday 12th February 2026
5:00 PM - 7:00 PM
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Dr Elisa Monti
Updated for 2026, this five-part certificate course is designed to help participants learn the theory and practice of trauma-sensitive approaches. The concepts and activities included are tailored to meet the needs of voice specialists who want to acquire more specific tools to navigate the space with their students and colleagues.
Thursday 5th February 2026
1:00 PM - 2:30 PM
Thursday 5th February 2026
1:00 PM - 2:30 PM
(London Time)
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Louisa Morgan
From the Greek actor Polus of Aegina carrying an urn of his own dead son’s ashes onstage in Sophocles’ Electra (Konjin, 1997) to the so-called American Method acting of Hollywood in the 20th Century, how performers work with and express emotion has been a vital part of their craft and how they are perceived by audiences. Join Louisa Morgan for this two-part course, where she considers: How have theories of emotion developed over time? How could understanding theories of emotion help voice practitioners in their coaching of singers and speakers?