Prosody: the musical aspects of speech!
Wednesday 14th May 2025, 2:00 PM - 4:00 PM (London Time)
In this session, Beatrice will give an introduction to Prosody, which is often described as ‘the musical aspects of speech’. Prosody comprises pitch (speech melody and register), time (speech tempo and rhythm), loudness, and voice quality. We will explore the forms and functions of prosody in natural talk. For example, as conversationalists we take over the floor from earlier speakers by picking up their speech rhythm; and we indicate that a conversation is nearing its end by speaking in a higher pitch. We will examine audio and video recordings of everyday talk, and together discover how speakers’ prosodic choices become meaningful in conversation.
Beatrice Szczepek Reed is Professor of Linguistics at King’s College London, where she is the Co-Director of the Centre for Language, Discourse and Communication. Beatrice studies spoken language, particularly the phonetics and phonology of natural conversation. For example, she has researched how speakers mirror each other prosodically in natural talk; how speakers of different accents of English use speech rhythm in conversation; and how ‘liaison’ exists not only in French but also in English and German. Beatrice has also researched singing lessons, specifically how classical singing teachers communicate the body knowledge of vocal technique. Beatrice has published over 60 articles and book chapters. Her books include the textbook ‘Analysing Conversation: An Introduction to Prosody’ (Bloomsbury 2011) and the forthcoming textbook ‘The Responsive Voice. Lessons for Actors from Real-Life Conversation’ (Routledge), co-written with the actor voice coach Anne Whitaker.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Beatrice Szczepek Reed
Beatrice Szczepek Reed is Professor of Linguistics at King’s College London, where she is the Co-Director of the Centre for Language, Discourse and Communication. Beatrice studies spoken language, particularly the phonetics and phonology of natural conversation.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
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This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
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1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
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Acting Emotion: Perspectives from the Masters
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Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.
Tuesday 10th March 2026
3:00 PM - 5:00 PM
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Living truthfully in the present moment: An introduction to the Meisner Technique!
Abigail Sugden
Sanford Meisner believed that acting is living truthfully under imaginary circumstances. Rooted in behavioural aspects of acting practice, the Meisner Technique is often associated with encouraging actors to live truthfully in the present moment. Aimed at those working within the field of acting, this 2-hour session with Abigail Sugden will focus on the work of Sanford Meisner, introducing the core principles of his technique and discussing the possible benefits to performers.