Science vs Artistry: Key Issues in the Imagery Debate
Thursday 30th January 2025, 12:00 PM - 2:00 PM (London Time)
This practical and interactive course will introduce attendees to key issues surrounding imagery-use in singing pedagogy.
Imagery has been, and continues to be, a foundational strategy in the teaching of singing. With advances in understandings of voice science and wider educational theories, imagery strategies have developed to include a range of multi-modal approaches. However, despite these developments, there continues to be antagonism between imagery-based and science-based singing pedagogy.
This course will provide attendees with:
- An overview of imagery-use in the history of vocal pedagogy
- An outline of different imagery strategies available for singing teachers
- An evaluation of the effectiveness of different imagery strategies
- An introduction to the science vs artistry debate in relation to imagery-use
- Suggestions for further research and practice to address issues in the imagery debate
Through practical demonstration, theoretical discussion and peer-to-peer skill sharing, this course will give the audience an opportunity to consider the core issues and assess potential solutions to the imagery vs science debate. The central presentation will be followed by opportunity for Q&A, as well as sharing practical strategies that might be applicable to attendees current practice-based context.
Jenna Brown
Jenna has authored over 20 peer reviewed publications and conference proceedings, with recent publications on voice and choral pedagogy in the Journal of Voice, The Voice and Speech Review and Australian Voice.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 16th December 2025
2:00 PM - 4:00 PM
(London Time)
Inspired Sound: Unlocking the Science of Choral Acoustics
Professor Helena Daffern
In this session, Professor Helena Daffern will explore the fascinating science behind choral sound, offering choir singers and directors valuable insights into achieving a cohesive and expressive ensemble, no matter what their standard. The concept of choral blend will be examined —what it is, how it can be cultivated, and the roles of intonation and vibrato will be analysed. The decisions that have to be made around intonation when tuning thirds or dealing with modulations over the course of an a cappella piece will be explained in the context of existing research and different singing styles such as barbershop singing and solo voice ensembles.
Tuesday 16th December 2025
5:00 PM - 7:00 PM
(London Time)
Unclenching the Jaw: Options from the Physio Lens
Walt Fritz
“Jaw tension” is one of many potential problems facing the singer, and can cause a direct negative impact on the performance in both direct and indirect ways. The underlying cause of jaw issues is attributed to numerous factors (technique, posture, strength, range of motion, etc.), making it often difficult to identify common denominators. Join Walt Fritz as he examines the evidence supporting stretching, strengthening, and manual therapy interventions to address jaw-related concerns in vocal performers, taking into account their unique needs.
Thursday 18th December 2025
3:00 PM - 5:00 PM
(London Time)
Improving Lyric Italian Diction for Classical Singers
Professor Conroy Cupido
Join Professor Conroy Cupido as he offers an in-depth exploration of the most frequent pronunciation errors made by classical singers in Italian lyric diction. Designed for both emerging and advanced singers, the course provides a structured and practical approach to mastering Italian pronunciation as used in opera, oratorio, and art song.