Science vs Artistry: Key Issues in the Imagery Debate
Thursday 30th January 2025, 12:00 PM - 2:00 PM (London Time)
This practical and interactive course will introduce attendees to key issues surrounding imagery-use in singing pedagogy.
Imagery has been, and continues to be, a foundational strategy in the teaching of singing. With advances in understandings of voice science and wider educational theories, imagery strategies have developed to include a range of multi-modal approaches. However, despite these developments, there continues to be antagonism between imagery-based and science-based singing pedagogy.
This course will provide attendees with:
- An overview of imagery-use in the history of vocal pedagogy
- An outline of different imagery strategies available for singing teachers
- An evaluation of the effectiveness of different imagery strategies
- An introduction to the science vs artistry debate in relation to imagery-use
- Suggestions for further research and practice to address issues in the imagery debate
Through practical demonstration, theoretical discussion and peer-to-peer skill sharing, this course will give the audience an opportunity to consider the core issues and assess potential solutions to the imagery vs science debate. The central presentation will be followed by opportunity for Q&A, as well as sharing practical strategies that might be applicable to attendees current practice-based context.
Jenna Brown
Jenna has authored over 20 peer reviewed publications and conference proceedings, with recent publications on voice and choral pedagogy in the Journal of Voice, The Voice and Speech Review and Australian Voice.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Thursday 11th December 2025
8:00 AM - 10:00 AM
(London Time)
Picking Up Good Vibrations: Pedagogical and Clinical Voice Analysis!
Dr Calvin Baker
Voice teachers and clinicians strongly rely on auditory perceptual modes of voice evaluation. These are considered the gold standard for assessing voice quality and training effects (e.g., a singer’s progress from lesson to lesson or across voice therapy). Join Dr Calvin Baker as he explores techniques for instrumentally analysing the singing voice. Specific considerations for the challenges of obtaining reliable, robust, and comparable data will be presented, and practical recommendations for recording and analysing the singing voice in pedagogical and clinical contexts will be made.
Thursday 11th December 2025
5:00 PM - 7:00 PM
(London Time)
The Pedagogy of Vibrato: Integrating Science and Studio Practice
Dr Justin John Moniz
Vibrato is more than just a shimmer in the sound—it’s one of the voice’s most powerful tools for artistry and expression. In this dynamic course, Justin John Moniz—Associate Director of Vocal Performance and Coordinator of Vocal Pedagogy at NYU Steinhardt, and Associate Editor of the Journal of Singing—pulls back the curtain on vibrato, blending history, science, and studio know-how into an engaging exploration for singers and teachers alike.
Tuesday 16th December 2025
2:00 PM - 4:00 PM
(London Time)
Inspired Sound: Unlocking the Science of Choral Acoustics
Professor Helena Daffern
In this session, Professor Helena Daffern will explore the fascinating science behind choral sound, offering choir singers and directors valuable insights into achieving a cohesive and expressive ensemble, no matter what their standard. The concept of choral blend will be examined —what it is, how it can be cultivated, and the roles of intonation and vibrato will be analysed. The decisions that have to be made around intonation when tuning thirds or dealing with modulations over the course of an a cappella piece will be explained in the context of existing research and different singing styles such as barbershop singing and solo voice ensembles.