The Acoustics of Belt Singing
Thursday 3rd October 2024, 5:00 PM - 7:00 PM (London Time)
Contemporary Commercial Music (CCM) covers a multitude of singing styles that have received less scientific attention than other types of singing. This is despite the fact that the vast majority of those who earn money singing (or teaching singing) do so in CCM styles. Belting − also referred to as the “musical theater” style or “broadway singing” − is a primary vocal quality in many styles of CCM.
Voice acoustics is an active area of research in many labs, including Dr. Meyer’s, where the science of singing is explored to inform (and improve) our pedagogical practice. However, voice acoustics is often a source of confusion for students and teachers alike.
In this workshop Dr. Meyer will present an overview of the acoustics of “belting” using layman’s terms appropriate for the beginning voice scientist and singing teacher alike. Particular emphasis will be given to instances where the first vocal tract resonance (which in the radiated sound is a “formant”) boosts the second harmonic of the sung tone (fR1 = 2fo). Though many sub-categories of “belt” may exist, a dominant 2fo (second harmonic) seems to be the common distinguishing spectral feature and an acoustic hallmark of belting.
Participants in this course will increase their knowledge of belt acoustics, and explore strategies for applying this knowledge in singing instruction.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
David Meyer
A leading scholar and researcher of the singing voice, David Meyer is an active performer, teacher, clinician, and voice scientist.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 7th July 2025
2:00 PM - 4:00 PM
Tuesday 8th July 2025
2:00 PM - 4:00 PM
Wednesday 9th July 2025
2:00 PM - 4:00 PM
Friday 11th July 2025
2:00 PM - 4:00 PM
Monday 14th July 2025
2:00 PM - 4:00 PM
Tuesday 15th July 2025
2:00 PM - 4:00 PM
Wednesday 16th July 2025
2:00 PM - 4:00 PM
Friday 18th July 2025
2:00 PM - 4:00 PM
(London Time)
Introduction to statistics and working with quantitative data for Voice Professionals: 8-Session Online Bootcamp
Dr David Cane
This certificated statistics course is ideal for individuals interested in laying a solid foundation in quantitative research methods. By focusing on essential statistical principles, you will be equipped with the tools to understand and apply quantitative research techniques effectively. Statistics is a crucial component of quantitative research; mastering it will enable you to grasp quantitative methods more confidently and precisely.
Tuesday 8th July 2025
12:00 PM - 2:00 PM
(London Time)
Oxygen Advantage for Vocal Educators • Empowering Vocalists Through Breath
Kate Cubley
Are you a singing teacher or trainee voice educator eager to expand your toolkit? Join Kate Cubley at Voice Study Centre for a dynamic 2-hour lecture exploring the role of functional breathing in supporting vocal performance, vocal health, and resilience—for both you and your students. This engaging session introduces the Oxygen Advantage® method: a science-backed approach to breathing that can transform how you teach, coach, and care for the voice.
Wednesday 9th July 2025
2:00 PM - 4:00 PM
(London Time)
Accents in Musical Theatre Singing!
Colton Weiss
Colton Weiss (he/they) is a professional dialect coach, actor, and lecturer (Ohio State Univ.) based out of Columbus, Ohio. With the continued popularity and development of productions that call for more demanding voice, speech, and accent work, dialect coaches, music directors, and actors must collaborate across jobs. Inspired from the text, Voice and Speech for Musical Theatre by Chris Palmer, and ongoing production experience, this presentation by Colton explores the intersections of accent work, and the musical skills needed for actors to perform in Musical Theatre.