The Dog’s Meow: The Countertenor Voice in the 21st Century
Tuesday 2nd July 2024, 5:00 PM - 7:00 PM (London Time)
Dr. Lawrence Zazzo, an accomplished operatic countertenor and Handel scholar, will give an overview on the reception of the countertenor voice, reflecting on early modern views on the erotics of the castrato and contextualising the modern reception of countertenor performances of both Baroque and new music within the context of his own 30 year career as a performer, teacher and scholar, with some reflection on his ongoing creative practice research projects.
His talk will be followed by a Q&A session.
Dr. Lawrence Zazzo
Dr. Lawrence Zazzo is an internationally recognised countertenor as well as historical musicologist. Currently Head of Performance and Senior Lecturer at Newcastle University, he was formerly a vocal professor at both the Royal College and Royal Academy of Music in London and continues to perform in concert halls and opera houses throughout the world.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
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We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
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Join Kevin Wilson for this six-part certificated course, offering an in‑depth, practical exploration of contemporary voice teaching for musical theatre. Across six focused classes, participants develop a systematic approach to vocal technique, diagnosis, and repertoire selection that reflects the stylistic, physical, and emotional demands of the genre. The curriculum integrates vocal science, embodied voice work, registration theory, and stylistic awareness across the five major sub‑genres of musical theatre.
Thursday 20th August 2026
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Wednesday 26th August 2026
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Dr Brad Story
Fine control of the vocal tract shape is important for producing acoustic characteristics that may be targeted in singing. Join Dr Brad Story as he focuses on how the vocal tract shape can be tuned (i.e. modified) in both large and subtle ways to enhance the signal radiated from a singer to an audience. The session will include the vocal tract shape contributions to the ‘singing formant’, enhancement of vibrato, and harmonic/formant alignment.