Short Courses & Events / Archive

The Dog’s Meow: The Countertenor Voice in the 21st Century

Tuesday 2nd July 2024, 5:00 PM - 7:00 PM (London Time)

Dr. Lawrence Zazzo, an accomplished operatic countertenor and Handel scholar, will give an overview on the reception of the countertenor voice, reflecting on early modern views on the erotics of the castrato and contextualising the modern reception of countertenor performances of both Baroque and new music within the context of his own 30 year career as a performer, teacher and scholar, with some reflection on his ongoing creative practice research projects. 

His talk will be followed by a Q&A session.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Dr. Lawrence Zazzo

Dr. Lawrence Zazzo is an internationally recognised countertenor as well as historical musicologist. Currently Head of Performance and Senior Lecturer at Newcastle University, he was formerly a vocal professor at both the Royal College and Royal Academy of Music in London and continues to perform in concert halls and opera houses throughout the world.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

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Dr Claire Thomas

This short course invites participants to critically examine the latest cross-disciplinary evidence on the physical and vocal demands of musical theatre performance. Drawing on a comprehensive literature review conducted by Debbie Winter and Claire Thomas (Voice Study Centre, University of Essex), the course explores research from voice science, dance medicine, sports science, and performance pedagogy.

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8:30 AM - 10:30 AM
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Performance Anxiety is one of the most widespread and debilitating challenges facing musicians across all ages, nationalities and musical genres. Despite decades of research and the development of numerous interventions, we do not yet have an established way of supporting performers experiencing performance anxiety. Aimed at performers, teachers, researchers and students, this presentation will first summarise the current state of play in performance anxiety research, before exploring alternative ways to think about performance anxiety, drawing on new research outside of performance psychology...

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1:00 PM - 2:30 PM
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1:00 PM - 2:30 PM
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