The Effect of Body Alignment on Voice Production
Thursday 2nd May 2024, 5:30 PM - 7:30 PM (London Time)
Voice production involves not just the respiratory and laryngeal mechanisms, but all of the structures of the body. It is therefore key to use a wide lens when assessing the origin of vocal challenges and optimising vocal performance as they may not be local to the vocal or respiratory apparatus. Due to the interconnected nature of the musculoskeletal and fascial systems, the voice can be affected by alignment issues that originate anywhere from the feet to the head.
In this session, we will explore the interconnected pathways of the body’s postural systems in the context of respiratory and vocal mechanics, and offer strategies for both assessing and addressing alignment issues with respect to voice. Topics will include:
- An exploration of the anatomy of voice production from foot to head
- Specific conditions, such as scoliosis, and how they affect voice production
- The role of the head-neck-jaw relationship in postural control
- Understanding the concept of proprioception for optimal postural balance
- How to do a postural assessment for a vocalist
- Practical strategies to address imbalances in alignment and therefore optimise vocal production
This session will deepen your understanding of the role of whole body mechanics in voice production and give you practical tools and strategies to assess and address issues of body alignment for yourself and your students.
Jennie Morton
After a long performing career as a Ballet dancer, West End Musical Theatre performer, and lead singer of a London-based Big Band, Jennie is now an Osteopath specializing in Performing Arts Medicine. Now based in Los Angeles...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Thursday 18th December 2025
3:00 PM - 5:00 PM
(London Time)
Improving Lyric Italian Diction for Classical Singers
Professor Conroy Cupido
Join Professor Conroy Cupido as he offers an in-depth exploration of the most frequent pronunciation errors made by classical singers in Italian lyric diction. Designed for both emerging and advanced singers, the course provides a structured and practical approach to mastering Italian pronunciation as used in opera, oratorio, and art song.
Monday 12th January 2026
12:00 PM - 1:30 PM
Tuesday 13th January 2026
12:00 PM - 1:30 PM
Wednesday 14th January 2026
12:00 PM - 1:30 PM
Thursday 15th January 2026
12:00 PM - 1:30 PM
Tuesday 20th January 2026
12:00 PM - 1:30 PM
Wednesday 21st January 2026
12:00 PM - 1:30 PM
(London Time)
Level One Certificate in Accents and Phonetics
Louisa Morgan
Are you a voice, acting, or singing coach looking to expand your expertise and add accents and phonetics to your teaching repertoire? This 6-session course covers essential topics such as articulatory, acoustic, and auditory phonetics, the International Phonetic Alphabet (IPA), and ethical approaches to accent and dialect coaching. By the end of this course, you'll be equipped with the knowledge and practical skills to start to bring phonetics and accent coaching into your coaching and provide more comprehensive support to your clients.
Monday 12th January 2026
2:00 PM - 4:00 PM
(London Time)
Emerging and Developing Voice: Singing and Speech
Karen Brunssen
How does the singing voice influence the speaking voice? How does the speaking voice influence the singing voice? When is there a disparate relationship between the two? Can they help each other? Can one harm the other? How can we use them positively in the voice studio. During this short course we will consider the voice as we sing and as we speak. The acquisition of language is a very interesting journey from birth through old age. We will broach the topics of “lexical” which refers to learning words, and “semantic” which is how we use words in the context of language.