The Emotional Voice: Past Theories, Present Practice
Thursday 5th February 2026, 1:00 PM - 2:30 PM (London Time)
Thursday 5th February 2026, 1:00 PM - 2:30 PM (London Time)
Theories of emotion across time and their application to voice practice (a 2-part course)
From the Greek actor Polus of Aegina carrying an urn of his own dead son’s ashes onstage in Sophocles’ Electra (Konjin, 1997) to the so-called American Method acting of Hollywood in the 20th Century, how performers work with and express emotion has been a vital part of their craft and how they are perceived by audiences.
Exactly what emotion is has been a hotly debated topic throughout history. In fact, the first time the word ‘emotion’ was used regularly in literature was the 19th century (Evans, 2019). There are many theories that have developed surrounding its definition, how emotions should be categorised, whether or not they are universal, and how we express them.
In this two-part course, we consider these questions:
How have theories of emotion developed over time?
How could understanding theories of emotion help voice practitioners in their coaching of singers and speakers?
Who is it for?
This course is for voice teachers (spoken or singing) who have an interest in emotion research and would like to know more about the history of the theories of emotion and how a deeper knowledge of these concepts can be applied in the voice studio. The first part of each section will be in a lecture format, but there will be plenty of opportunities for discussion.
Session 1: Theories of emotion, past and present
We will follow a brief history of emotion theories, looking at how the study of emotion has been connected with theology, ethics, art and science. We will consider where we are now in emotion research, and ask whether or not we as voice practitioners need to choose where we land on the topic.
Session 2: Application to practice in the voice studio
We will consider the theories of emotion on a more practical level and look at how these ideas impact our understanding of vocal expression and attitudes towards performance.
🏷️ Price £50 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Louisa Morgan
Louisa Morgan is a lecturer, voice teacher and researcher, with a special focus on spoken and sung emotion. Louisa lectures with Voice Study Centre (spoken voice lead) and teaches Musical Theatre students on the MA/MFA course at the Guildford School of Acting (GSA).
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 17th February 2026
10:00 AM - 12:00 PM
(London Time)
Simultaneous Singing and Dancing in Musical Theatre: A Cross-Disciplinary Evidence Review
Debbie Winter
Dr Claire Thomas
This short course invites participants to critically examine the latest cross-disciplinary evidence on the physical and vocal demands of musical theatre performance. Drawing on a comprehensive literature review conducted by Debbie Winter and Claire Thomas (Voice Study Centre, University of Essex), the course explores research from voice science, dance medicine, sports science, and performance pedagogy.
Thursday 19th February 2026
8:30 AM - 10:30 AM
(London Time)
It’s not a virus! Reconceptualizing and De-pathologizing Music Performance Anxiety
Rebecca Herman
Performance Anxiety is one of the most widespread and debilitating challenges facing musicians across all ages, nationalities and musical genres. Despite decades of research and the development of numerous interventions, we do not yet have an established way of supporting performers experiencing performance anxiety. Aimed at performers, teachers, researchers and students, this presentation will first summarise the current state of play in performance anxiety research, before exploring alternative ways to think about performance anxiety, drawing on new research outside of performance psychology...
Thursday 19th February 2026
1:00 PM - 2:30 PM
Thursday 26th February 2026
1:00 PM - 2:30 PM
(London Time)
Performing Pain: Vocal Health in Emotional Roles!
Louisa Morgan
How connected are acted emotions to our real-life emotions? Are they expressed differently? Do they feel different in the body? This 2-part course with Louisa Morgan looks at the potential impact of acted emotion on vocal health, why we should consider it as voice practitioners, and how to care for our performers needing to work with it.