Short Courses & Events / Archive

The Estill Voice Model©: Research behind Jo Estill’s paradigm shift in voice training and treatment

Tuesday 17th September 2024, 5:00 PM - 7:00 PM (London Time)

For over 40 years, the Estill Voice Model (EVM) has defined voice quality according to the physiologic adjustments that correlate to acoustic and auditory-perceptual correlates.  In other words, movement of the vocal anatomy that you can FEEL produces a characteristic acoustic soundwave and spectral shape that you can SEE that results in a unique voice timbre or quality that you can HEAR. EVM addresses the daunting degrees of freedom issue in voice motor control by isolating the Craft of voice production from the Artistry and Performance Metaphysics. The EVM proposes an integrated implicit-explicit approach for voice motor learning that flows through all training and therapy protocols. Implicit instructions include auditory-perceptual prompts (e.g., quack like a duck to produce “twang”) and explicit prompts train physiologic conditions of the vocal anatomy correlated with the voice quality (e.g., narrow your aryepiglottic sphincter to produce “twang”). Estill Voice Training® exercises informed by the EVM address power, source and filter properties of voice production, and include: narrowing the aryepiglottic sphincter for “ring” in opera & belt and for increased power in hypofunctional voices; and varying vocal fold mass for register shifts and optimizing contact for hyperfunctional voices. Speakers, singers, and voice patients learn to feel, see, and hear the voice via multiple feedback modes including hand gestures, magnitude estimation of bodily-kinesthetic effort, visual acoustic cues in the real-time spectral analysis program, Estill Voiceprint™. This presentation will highlight scientific research and clinical evidence for using Estill Voice Training® exercises to train and treat all voices, from the novice speaker to the expert performer.  Learn about the evidence supporting a new way to Feel, See, and Hear the Voice.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Kim Steinhauer

Kimberly Steinhauer, Ph.D.,has devoted her entire career to the voice—in song, education, and research.  As a singer, she has been employed in a variety of musical venues ranging from pop, musical theater, and opera to sacred music. 

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)

Learn to Coach RP and SSBE – a Certificate in Accent Coaching

Louisa Morgan

This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.

Acting Emotion: Perspectives from the Masters
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)

Acting Emotion: Perspectives from the Masters

Louisa Morgan

Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.

Living truthfully in the present moment: An introduction to the Meisner Technique!
Tuesday 10th March 2026
3:00 PM - 5:00 PM
(London Time)

Living truthfully in the present moment: An introduction to the Meisner Technique!

Abigail Sugden

Sanford Meisner believed that acting is living truthfully under imaginary circumstances. Rooted in behavioural aspects of acting practice, the Meisner Technique is often associated with encouraging actors to live truthfully in the present moment. Aimed at those working within the field of acting, this 2-hour session with Abigail Sugden will focus on the work of Sanford Meisner, introducing the core principles of his technique and discussing the possible benefits to performers.