The Last Midnight: Coaching Eleventh-Hour Musical Theatre Auditions
Thursday 14th December 2023, 5:00 PM - 7:00 PM (London Time)
Due to the myriad demands placed on today’s musical theatre performer, the ability to help prepare vocalists for eleventh-hour auditions proves a critical skill for coaches and teachers alike.
In this short course, we’ll explore the art of triage and prioritization as applied to audition preparation with less-than-ideal timeframes.
The course will cover various techniques to quickly assess a vocalist's strengths and weaknesses, and to determine which areas require the most attention.
Participants will learn how to create a customised warm-up routine to quickly get the vocalist's voice into shape, as well as how to select appropriate audition material that showcases the performer's strengths.
We will also explore strategies for maximizing limited rehearsal time, including how to efficiently give notes and feedback that will have the most impact.
Additionally, we'll discuss ways to help performers manage pre-audition nerves and stay focused under pressure.
By the end of the course, participants will have a toolkit of practical skills and strategies to help vocalists shine in audition situations, even when time is short.
Whether you're a seasoned coach or a new teacher, this course will provide valuable insights and techniques to enhance your audition preparation skills.
Adam Roberts
Adam Roberts, MM, PAVA-RV is equal-parts vocologist, artistic director, and creative producer. He is Director of Music at Austin’s St. Luke United Methodist Church, cofounder of Resolution Creative...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 17th February 2026
10:00 AM - 12:00 PM
(London Time)
Simultaneous Singing and Dancing in Musical Theatre: A Cross-Disciplinary Evidence Review
Debbie Winter
Dr Claire Thomas
This short course invites participants to critically examine the latest cross-disciplinary evidence on the physical and vocal demands of musical theatre performance. Drawing on a comprehensive literature review conducted by Debbie Winter and Claire Thomas (Voice Study Centre, University of Essex), the course explores research from voice science, dance medicine, sports science, and performance pedagogy.
Thursday 19th February 2026
8:30 AM - 10:30 AM
(London Time)
It’s not a virus! Reconceptualizing and De-pathologizing Music Performance Anxiety
Rebecca Herman
Performance Anxiety is one of the most widespread and debilitating challenges facing musicians across all ages, nationalities and musical genres. Despite decades of research and the development of numerous interventions, we do not yet have an established way of supporting performers experiencing performance anxiety. Aimed at performers, teachers, researchers and students, this presentation will first summarise the current state of play in performance anxiety research, before exploring alternative ways to think about performance anxiety, drawing on new research outside of performance psychology...
Thursday 19th February 2026
1:00 PM - 2:30 PM
Thursday 26th February 2026
1:00 PM - 2:30 PM
(London Time)
Performing Pain: Vocal Health in Emotional Roles!
Louisa Morgan
How connected are acted emotions to our real-life emotions? Are they expressed differently? Do they feel different in the body? This 2-part course with Louisa Morgan looks at the potential impact of acted emotion on vocal health, why we should consider it as voice practitioners, and how to care for our performers needing to work with it.