The Race of Sound – Why Do We Think We Can Hear Race Vocally?
Thursday 24th October 2024, 5:00 PM - 7:00 PM (London Time)
Why and how do we make assumptions about a person’s race, gender, or age based on the timbre of their voice? Within the context of the United States, we will examine historical precedents for racialized listening to voices as well as contemporary realities, utilizing a framework for critically interrogating the racializing processes embedded in vocal and listening practices. The case studies we will draw on range from classical voices (such as Marian Anderson’s) to jazz (Jimmy Scott) and voice technologies (the vocal synthesis software Vocaloid). In considering the physiological basis for voice, we learn that there are actually no racial markers. And in taking the power of formal and informal voice lessons seriously, we can begin to deconstruct how voices and listening strategies are shaped within a racialized world.
This session will draw from my book The Race of Sound: Listening, Timbre, and Vocality in African American Music (Duke University Press, 2019).
Nina Eidsheim
Nina Eidsheim is the author of Sensing Sound: Singing and Listening as Vibrational Practice and The Race of Sound: Listening, Timbre, and Vocality in African American Music, and co-editor of the Oxford Handbook of Voice Studies and Refiguring American Music.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 15th June 2026
1:00 PM - 2:30 PM
Tuesday 16th June 2026
1:00 PM - 2:30 PM
Wednesday 17th June 2026
1:00 PM - 2:30 PM
Thursday 18th June 2026
1:00 PM - 2:30 PM
Friday 19th June 2026
1:00 PM - 2:30 PM
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Debbie Winter
Hosted by our very own Director of Studies (Debbie Winter), join our comprehensive Introduction to Academic Skills course, designed to equip you with essential tools and strategies for success in higher education. Perfect for bridging the gap between undergraduate and postgraduate study, this course offers a pathway to our full MA for students without an existing degree. We offer both live, interactive sessions and standalone, pre-recorded content.
Friday 19th June 2026
5:00 PM - 7:00 PM
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Dr Rachel B. Goldenberg
According to a 2016 study, nearly 1 in 5 people living in the UK have received a diagnosis of lung disease, making it highly likely that clinicians and voice teachers will encounter a singer living with a lung disease. Join Dr. Rachel B. Goldenberg, a singing teacher and speech-language pathologist, as she introduces the foundational concepts of Singing for Lung Health (SLH) and discusses the evolution of the field and its practical applications for respiratory health. While there was little research 15 years ago, SLH is now described as an "exploding field" that bridges the healthcare and music worlds!
Tuesday 23rd June 2026
5:00 PM - 7:00 PM
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Dr. Diane Austin
This presentation draws on the methods and techniques of Vocal Psychotherapy, a new in-depth model of music psychotherapy developed by Dr. Austin, that incorporates breath work, natural sounds, vocal improvisation, and songs and dialogue within a client and therapist relationship to facilitate intrapsychic and interpersonal change and growth.