The Race of Sound – Why Do We Think We Can Hear Race Vocally?

Why and how do we make assumptions about a person’s race, gender, or age based on the timbre of their voice? Within the context of the United States, we will examine historical precedents for racialized listening to voices as well as contemporary realities, utilizing a framework for critically interrogating the racializing processes embedded in vocal and listening practices. The case studies we will draw on range from classical voices (such as Marian Anderson’s) to jazz (Jimmy Scott) and voice technologies (the vocal synthesis software Vocaloid). In considering the physiological basis for voice, we learn that there are actually no racial markers. And in taking the power of formal and informal voice lessons seriously, we can begin to deconstruct how voices and listening strategies are shaped within a racialized world.

This session will draw from my book The Race of Sound: Listening, Timbre, and Vocality in African American Music (Duke University Press, 2019).