The Tongue As A Gateway To Voice, Resonance, Style, And Intelligibility
Thursday 27th October 2022, 5:00 PM - 7:00 PM (London Time)
We’d all agree that the tongue is a crucial part in singing as well as speaking!
Yet, there is no literature that solely addresses that organ and its acoustical influence – in other words, how can I manipulate/ execute it for my purpose and why? What does the tongue actually affect/ influence?
This course finally answers the question which has plagued voice users: how does the tongue affect my singing and how can I manipulate it for my purpose?
By working with ultrasound and imagery derived from ultrasound, Angelika Nair has found a regiment of exercises combined with step-by-step instructions and pedagogical tools that help accelerate the learning of various vocal strategies (physioacoustic) and improve the multitudinous challenges of sensory awareness, flexibility, and control within the tongue.
By providing basic anatomical insight and a visual demonstration of what is happening biomechanically and kinetically, the audience will be guided through demonstrations that are each followed by practices of techniques using exercises that replicate a myriad of challenges found in singing (classical/ non-classical) or speaking (stage/presentation).
Also, for the Q & A, participants are welcome to submit their own examples (as PDF) that they have questions to and/or would like to work on in advance (before/on Oct. 22nd).
Dr Angelika Nair
Angelika Nair, Ph.D., is a professional singer, Vocologist, voice pedagogue, and owner of Pro Voce LLC, a voice studio providing private vocal instruction...
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 16th December 2025
2:00 PM - 4:00 PM
(London Time)
Inspired Sound: Unlocking the Science of Choral Acoustics
Professor Helena Daffern
In this session, Professor Helena Daffern will explore the fascinating science behind choral sound, offering choir singers and directors valuable insights into achieving a cohesive and expressive ensemble, no matter what their standard. The concept of choral blend will be examined —what it is, how it can be cultivated, and the roles of intonation and vibrato will be analysed. The decisions that have to be made around intonation when tuning thirds or dealing with modulations over the course of an a cappella piece will be explained in the context of existing research and different singing styles such as barbershop singing and solo voice ensembles.
Tuesday 16th December 2025
5:00 PM - 7:00 PM
(London Time)
Unclenching the Jaw: Options from the Physio Lens
Walt Fritz
“Jaw tension” is one of many potential problems facing the singer, and can cause a direct negative impact on the performance in both direct and indirect ways. The underlying cause of jaw issues is attributed to numerous factors (technique, posture, strength, range of motion, etc.), making it often difficult to identify common denominators. Join Walt Fritz as he examines the evidence supporting stretching, strengthening, and manual therapy interventions to address jaw-related concerns in vocal performers, taking into account their unique needs.
Thursday 18th December 2025
3:00 PM - 5:00 PM
(London Time)
Improving Lyric Italian Diction for Classical Singers
Professor Conroy Cupido
Join Professor Conroy Cupido as he offers an in-depth exploration of the most frequent pronunciation errors made by classical singers in Italian lyric diction. Designed for both emerging and advanced singers, the course provides a structured and practical approach to mastering Italian pronunciation as used in opera, oratorio, and art song.