The Tongue As A Gateway To Voice, Resonance, Style, And Intelligibility
Thursday 27th October 2022, 5:00 PM - 7:00 PM (London Time)
We’d all agree that the tongue is a crucial part in singing as well as speaking!
Yet, there is no literature that solely addresses that organ and its acoustical influence – in other words, how can I manipulate/ execute it for my purpose and why? What does the tongue actually affect/ influence?
This course finally answers the question which has plagued voice users: how does the tongue affect my singing and how can I manipulate it for my purpose?
By working with ultrasound and imagery derived from ultrasound, Angelika Nair has found a regiment of exercises combined with step-by-step instructions and pedagogical tools that help accelerate the learning of various vocal strategies (physioacoustic) and improve the multitudinous challenges of sensory awareness, flexibility, and control within the tongue.
By providing basic anatomical insight and a visual demonstration of what is happening biomechanically and kinetically, the audience will be guided through demonstrations that are each followed by practices of techniques using exercises that replicate a myriad of challenges found in singing (classical/ non-classical) or speaking (stage/presentation).
Also, for the Q & A, participants are welcome to submit their own examples (as PDF) that they have questions to and/or would like to work on in advance (before/on Oct. 22nd).
Dr Angelika Nair
Angelika Nair, Ph.D., is a professional singer, Vocologist, voice pedagogue, and owner of Pro Voce LLC, a voice studio providing private vocal instruction...
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 9th December 2025
5:00 PM - 7:00 PM
(London Time)
Low Male Voices (LMVs): Development, Technique, and Repertoire
Dr Dann Mitton
Join Dr Dann Mitton for this two hour workshop where he explores the Development, Techniques, and Repertoire favoured for Low Male Voices (LMVs). Typically labelled as 'Bass' and 'Baritone', these classifications are used in classical music, choral settings, and vocal pedagogy to help determine suitable repertoire and vocal roles. In contemporary music, the distinctions are less rigid but still useful for understanding vocal range and timbre.
Thursday 11th December 2025
8:00 AM - 10:00 AM
(London Time)
Picking Up Good Vibrations: Pedagogical and Clinical Voice Analysis!
Dr Calvin Baker
Voice teachers and clinicians strongly rely on auditory perceptual modes of voice evaluation. These are considered the gold standard for assessing voice quality and training effects (e.g., a singer’s progress from lesson to lesson or across voice therapy). Join Dr Calvin Baker as he explores techniques for instrumentally analysing the singing voice. Specific considerations for the challenges of obtaining reliable, robust, and comparable data will be presented, and practical recommendations for recording and analysing the singing voice in pedagogical and clinical contexts will be made.
Thursday 11th December 2025
5:00 PM - 7:00 PM
(London Time)
The Pedagogy of Vibrato: Integrating Science and Studio Practice
Dr Justin John Moniz
Vibrato is more than just a shimmer in the sound—it’s one of the voice’s most powerful tools for artistry and expression. In this dynamic course, Justin John Moniz—Associate Director of Vocal Performance and Coordinator of Vocal Pedagogy at NYU Steinhardt, and Associate Editor of the Journal of Singing—pulls back the curtain on vibrato, blending history, science, and studio know-how into an engaging exploration for singers and teachers alike.