Short Courses & Events / Archive

The Tongue as a Gateway to Voice, Resonance, Style and Intelligibility

Thursday 11th September 2025, 5:00 PM - 7:00 PM (London Time)

The human voice is a remarkable instrument—capable of shifting from the terror of a scream to the beauty of a song in an instant. While the larynx often takes center stage in discussions of phonation, the truth is that nearly every system in the body is involved. Healthy vocal production depends on a finely tuned, athletic apparatus—a symphony of muscular interaction engaging the respiratory system, the laryngeal mechanism, and the resonance spaces of the pharyngeal, oral, and nasal cavities.

Among these, the tongue stands out as one of the most critical yet least understood contributors to voice production. Singers, actors, teachers, coaches, therapists, and scientists alike agree on its importance, yet there is a striking lack of literature dedicated solely to the tongue’s acoustical influence and how it can be intentionally shaped for a desired outcome. Simple directives such as “move the tongue forward” or “lift the tip” may be well-meant, but without an understanding of the tongue’s intricate anatomy, physiology, and biomechanics, such instructions can be misguided—and even counterproductive.

In this workshop, participants will gain essential anatomical insight and witness visual demonstrations—supported by ultrasound imaging—that reveal the tongue’s role in shaping sound, influencing resonance, and impacting style and intelligibility. Guided by Angelika Nair’s research and pedagogical approach, attendees will explore how tongue position, flexibility, and muscle balance affect the larynx, breath flow, timbre, and register transitions. The course will address challenges such as breathiness caused by tongue tension, navigating the upper passaggio with ease, and maintaining clarity of diction without sacrificing tone.

Through somatic exercises, imagery, and step-by-step techniques, participants will connect concepts such as posture (“Tensegrity”), breathing, support, and tongue modification into a practical, holistic vocal strategy. Each demonstration will be paired with exercises that replicate real-world challenges faced in both classical and non-classical singing as well as in spoken performance and presentation.

Angelika has kindly created a short promotional video for the session:

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Dr Angelika Nair

Angelika Nair, Ph.D., is a professional singer, Vocologist, voice pedagogue, and owner of Pro Voce LLC, a voice studio providing private vocal instruction...

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Certificate In Applied Neuroscience And Voice with Voice Scientist Heidi Moss
Monday 27th April 2026
3:00 PM - 5:00 PM
Tuesday 28th April 2026
3:00 PM - 5:00 PM
Wednesday 29th April 2026
3:00 PM - 5:00 PM
Thursday 30th April 2026
3:00 PM - 5:00 PM
Friday 1st May 2026
3:00 PM - 5:00 PM
Tuesday 5th May 2026
3:00 PM - 5:00 PM
(London Time)

Certificate In Applied Neuroscience And Voice with Voice Scientist Heidi Moss

This six-day course is designed to provide an introduction to the neuroscience of vocalization. It aims to provide a foundation for those who are looking to fuse science with art and understand that the voice is so much more than an instrument.

Music Theory Fundamentals for Voice Pedagogues
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)

Music Theory Fundamentals for Voice Pedagogues

Dr David Cane

Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.

Embodied voice research: negotiating the ‘inner’ and outer’
Thursday 7th May 2026
3:00 PM - 5:00 PM
(London Time)

Embodied voice research: negotiating the ‘inner’ and outer’

Marth Munro

The central thrust of the session will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.