The Tongue as a Gateway to Voice, Resonance, Style and Intelligibility
Thursday 11th September 2025, 5:00 PM - 7:00 PM (London Time)
The human voice is a remarkable instrument—capable of shifting from the terror of a scream to the beauty of a song in an instant. While the larynx often takes center stage in discussions of phonation, the truth is that nearly every system in the body is involved. Healthy vocal production depends on a finely tuned, athletic apparatus—a symphony of muscular interaction engaging the respiratory system, the laryngeal mechanism, and the resonance spaces of the pharyngeal, oral, and nasal cavities.
Among these, the tongue stands out as one of the most critical yet least understood contributors to voice production. Singers, actors, teachers, coaches, therapists, and scientists alike agree on its importance, yet there is a striking lack of literature dedicated solely to the tongue’s acoustical influence and how it can be intentionally shaped for a desired outcome. Simple directives such as “move the tongue forward” or “lift the tip” may be well-meant, but without an understanding of the tongue’s intricate anatomy, physiology, and biomechanics, such instructions can be misguided—and even counterproductive.
In this workshop, participants will gain essential anatomical insight and witness visual demonstrations—supported by ultrasound imaging—that reveal the tongue’s role in shaping sound, influencing resonance, and impacting style and intelligibility. Guided by Angelika Nair’s research and pedagogical approach, attendees will explore how tongue position, flexibility, and muscle balance affect the larynx, breath flow, timbre, and register transitions. The course will address challenges such as breathiness caused by tongue tension, navigating the upper passaggio with ease, and maintaining clarity of diction without sacrificing tone.
Through somatic exercises, imagery, and step-by-step techniques, participants will connect concepts such as posture (“Tensegrity”), breathing, support, and tongue modification into a practical, holistic vocal strategy. Each demonstration will be paired with exercises that replicate real-world challenges faced in both classical and non-classical singing as well as in spoken performance and presentation.
Angelika has kindly created a short promotional video for the session:
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr Angelika Nair
Angelika Nair, Ph.D., is a professional singer, Vocologist, voice pedagogue, and owner of Pro Voce LLC, a voice studio providing private vocal instruction...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)
“Too Much, Too Little, Just Right!” - The Balancing Act Model
Robert Edwin
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!
Thursday 30th July 2026
2:00 PM - 4:00 PM
(London Time)
A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching
William Leigh Knight
Only around 3% of the population fall into the category of amusia while over 17% consider themselves ‘tone-deaf’; and this does not account for non-singers, a wider group sometimes described as ‘tuneless’. So, who are ‘the voiceless’? Join William Leigh-Knight as he unpicks this question and considers the purpose of training a voice, when it is considered such a natural human attribute, and he expands on the principles that drive his own practice, which may be summarised as ‘person-centeredness’
Monday 3rd August 2026
1:30 PM - 2:30 PM
Tuesday 4th August 2026
1:30 PM - 2:30 PM
Wednesday 5th August 2026
1:30 PM - 2:30 PM
Thursday 6th August 2026
1:30 PM - 2:30 PM
Friday 7th August 2026
1:30 PM - 2:30 PM
(London Time)
Level Two Certificate in Accents and Phonetics with Louisa Morgan
Louisa Morgan
Build on your foundational knowledge of accents and phonetics in this week‑long lunchtime course designed specifically for voice teachers. Whether you have completed our Level 1 Certificate or already possess a basic working knowledge of phonetics and accent work, this Level 2 course will help you deepen your skills, sharpen your analytical ear, and expand your practical toolkit for teaching.