The Use Of Supraglottic Constrictions In Singing
Thursday 18th November 2021, 5:00 PM - 7:00 PM (London Time)
Supraglottic activity is usually associated with hyper-functional voice disorders and is considered as a reflection of vocal misuse and abuse.
Even though both medial and anterior-posterior compressions have been accepted as endoscopic signs of vocal hyperfunction, several studies have observed that supraglottic activity may also be present in normal speaking and singing voice production.
The degree of supraglottic activity may be influenced by several independent variables that commonly change during regular voice production (e.g. level of loudness, pitch, and phonatory task).
Previous studies have evaluated specific variables that may affect the degree of supraglottic tissue displacement in professional voice users.
The present course was designed to provide information about the variables that influence supraglottic activity in singing and why this activity should not be necessarily considered as a sign of vocal hyperfunction.
Dr Marco Guzmán
Dr. Guzman is a voice pathologist with twenty-two years of clinical and academic experience. He received his Ph.D. in Vocology from the Tampere University, Finland.
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Monday 27th April 2026
12:00 PM - 1:30 PM
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Thursday 30th April 2026
12:00 PM - 1:30 PM
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Understanding emotions is crucial for coaching performers towards more authentic and compelling performances. However, working with emotions can be challenging, both physiologically and mentally. This course will introduce you to theories of emotion and the connections between the brain, body, and voice. We will then discuss how to work effectively with emotions when coaching speakers or singers, considering the physical and mental demands.
Monday 27th April 2026
3:00 PM - 5:00 PM
Tuesday 28th April 2026
3:00 PM - 5:00 PM
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3:00 PM - 5:00 PM
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3:00 PM - 5:00 PM
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Tuesday 5th May 2026
3:00 PM - 5:00 PM
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This six-day course is designed to provide an introduction to the neuroscience of vocalization. It aims to provide a foundation for those who are looking to fuse science with art and understand that the voice is so much more than an instrument.
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This course is designed to break down the fundamentals of acoustics for both spoken and sung voice in a beginner-friendly, accessible way — so you can easily understand and apply these concepts to your teaching or research.