Training the Passaggi of Classical Genre Voices
Thursday 29th June 2023, 5:00 PM - 7:00 PM (London Time)
This class will be focused on practical pedagogic strategies for training voices in smooth negotiation of range.
Special attention will be given to those transitions, both laryngeal and acoustic, that challenge efficient function.
While we will be primarily attending to the aesthetic targets of the classical genre, the strategies included are relatively genre neutral and can be adapted to any styles seeking a smooth, even traversing of the range.
Basic elements of acoustic vocal pedagogy will be referenced, but previous exposure to the principles of acoustic pedagogy as routinely presented by Bozeman will be assumed.
Ken Bozeman
Kenneth Bozeman, BM, MM,Professor Emeritus of Music, taught at Lawrence University for 42 years where he chaired the voice department and from...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Thursday 21st November 2024
5:00 PM - 7:00 PM
(London Time)
Pedagogic Misconceptions and Their Correction
Ken Bozeman
Things are not always as they seem. Many fairly prevalent conceptions of vocal function and resultant studio directives are either inaccurate in part or in whole, misleading, and therefore in need of correction or at least significant qualification.
Tuesday 26th November 2024
5:00 PM - 7:00 PM
(London Time)
Stress and Its Impact on Voice Production: Exploring Pathways and Solutions
Dr. Sofia Holmqvist-Jämsén
This course explores the pathways of stress and examines how stress reactions affect and interact with voice production.
Thursday 28th November 2024
5:00 PM - 7:00 PM
(London Time)
Contemporary Commercial Voice Technique, Pedagogy, and Practices
Lyudmyla Heath
The short course is firmly rooted in the study of Contemporary Commercial Voice Technique, Pedagogy, and Practices. CCM singers face challenges in receiving appropriate training, academic opportunities, and professional support and are often discriminated against.