Tuvan Overtone Throat Singing
Tuesday 7th July 2026, 5:00 PM - 7:00 PM (London Time)
This two-hour class on Tuvan throat singing will be an opportunity to learn five different styles of overtone singing that first originated in Central Asia. Several styles can be learned quite quickly while others are more complex and require deeper study. This class is great for singers of all levels from absolute beginners to professionals.
Tuvan overtone singing is an entirely unique category in its technique regardless of one’s singing experience. This will be an experiential based class where participants will be guided through different exercises and vocal expressions in generating the five styles of singing listed below. Everyone who attends this class will experience a powerful and deep activation of their voice, natural vibratory resonance, capacity for creativity, healing, and self-expression.
- Kargyraa – Deep, bassy, guttural vibrational singing that Tibetan monks are famous for using in prayer and mantra recitation
- Khoomei – Mid-tone range singing with rich overtones and deep tonality
- Sygyt – High pitched and piercing singing that represents the merging of Heaven and Earth – sounds like a shrieking whistle or an alien visitor
- Khorekteer (Xorexteer) – A high-pitched, wailing singing style famous in Tuva that is often used to pronounce lyrics, mantra, or prayers
- Western Overtone Singing – The western version of a simplified Tuvan Sygyt that almost anyone can learn – can sound hauntingly beautiful when refined to a high expression
Jerry Walsh
Jerry Walsh has been walking the path of dharma and meditation for 16 years and has been a student of the shamanic traditions for 12 years, undergoing intensive initiations under the guidance of his teacher, Maestro Manuel Rufino. Jerry is a gifted vocalist and multi-instrumentalist. He is a member of the sound meditation ensemble, Dream Seed, and...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
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We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)
“Too Much, Too Little, Just Right!” - The Balancing Act Model
Robert Edwin
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!
Thursday 30th July 2026
2:00 PM - 4:00 PM
(London Time)
A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching
William Leigh Knight
Only around 3% of the population fall into the category of amusia while over 17% consider themselves ‘tone-deaf’; and this does not account for non-singers, a wider group sometimes described as ‘tuneless’. So, who are ‘the voiceless’? Join William Leigh-Knight as he unpicks this question and considers the purpose of training a voice, when it is considered such a natural human attribute, and he expands on the principles that drive his own practice, which may be summarised as ‘person-centeredness’
Monday 3rd August 2026
1:30 PM - 2:30 PM
Tuesday 4th August 2026
1:30 PM - 2:30 PM
Wednesday 5th August 2026
1:30 PM - 2:30 PM
Thursday 6th August 2026
1:30 PM - 2:30 PM
Friday 7th August 2026
1:30 PM - 2:30 PM
(London Time)
Level Two Certificate in Accents and Phonetics with Louisa Morgan
Louisa Morgan
Build on your foundational knowledge of accents and phonetics in this week‑long lunchtime course designed specifically for voice teachers. Whether you have completed our Level 1 Certificate or already possess a basic working knowledge of phonetics and accent work, this Level 2 course will help you deepen your skills, sharpen your analytical ear, and expand your practical toolkit for teaching.