Short Courses & Events / Archive

Understanding Muscle Physiology: Towards an Applied Framework for Singing Voice Training and Rehabilitation

Tuesday 18th March 2025, 5:00 PM - 7:00 PM (London Time)

If singers are vocal athletes, then muscle physiology considerations should be part of our training and rehabilitation programs. A web search for guidance to train up for a 5k will yield millions of hits, while strength and conditioning requirements for recital preparation yields very little.

With over 30 years of experience rehabilitating the injured singing voice, incorporated with a doctoral degree in applied muscle physiology, Dr. Sandage merges the disciplines of applied exercise science with voice physiology to shed new light on muscle training perspectives for voice training. Aspects of muscle performance including training, detraining, aging, sex differences, specificity, and genetics will be discussed within the framework of the singing voice. Vocal fatigue will be considered from a well-established strength and conditioning training theoretical framework structured to plan for fatigue management and more rapid post-performance recovery.

Following a tutorial on muscle physiology, Dr. Sandage will frame vocal function demands within the context of health, performance environment, and individual vocal demands to identify ecologically valid factors that should be considered in the training and rehabilitation domains.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Dr. Mary Sandage

After earning her M.A. in Speech Language Pathology at the University of Iowa, Dr. Sandage established the professional voice rehabilitation program at the University of Wisconsin-Madison, Dept. of Otolaryngology Voice Clinic.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Simultaneous Singing and Dancing in Musical Theatre: A Cross-Disciplinary Evidence Review
Tuesday 17th February 2026
10:00 AM - 12:00 PM
(London Time)

Simultaneous Singing and Dancing in Musical Theatre: A Cross-Disciplinary Evidence Review

Debbie Winter
Dr Claire Thomas

This short course invites participants to critically examine the latest cross-disciplinary evidence on the physical and vocal demands of musical theatre performance. Drawing on a comprehensive literature review conducted by Debbie Winter and Claire Thomas (Voice Study Centre, University of Essex), the course explores research from voice science, dance medicine, sports science, and performance pedagogy.

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Thursday 19th February 2026
8:30 AM - 10:30 AM
(London Time)

It’s not a virus! Reconceptualizing and De-pathologizing Music Performance Anxiety

Rebecca Herman

Performance Anxiety is one of the most widespread and debilitating challenges facing musicians across all ages, nationalities and musical genres. Despite decades of research and the development of numerous interventions, we do not yet have an established way of supporting performers experiencing performance anxiety. Aimed at performers, teachers, researchers and students, this presentation will first summarise the current state of play in performance anxiety research, before exploring alternative ways to think about performance anxiety, drawing on new research outside of performance psychology...

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Thursday 19th February 2026
1:00 PM - 2:30 PM
Thursday 26th February 2026
1:00 PM - 2:30 PM
(London Time)

Performing Pain: Vocal Health in Emotional Roles!

Louisa Morgan

How connected are acted emotions to our real-life emotions? Are they expressed differently? Do they feel different in the body? This 2-part course with Louisa Morgan looks at the potential impact of acted emotion on vocal health, why we should consider it as voice practitioners, and how to care for our performers needing to work with it.