Understanding Muscle Physiology: Towards an Applied Framework for Singing Voice Training and Rehabilitation
Tuesday 18th March 2025, 5:00 PM - 7:00 PM (London Time)
If singers are vocal athletes, then muscle physiology considerations should be part of our training and rehabilitation programs. A web search for guidance to train up for a 5k will yield millions of hits, while strength and conditioning requirements for recital preparation yields very little.
With over 30 years of experience rehabilitating the injured singing voice, incorporated with a doctoral degree in applied muscle physiology, Dr. Sandage merges the disciplines of applied exercise science with voice physiology to shed new light on muscle training perspectives for voice training. Aspects of muscle performance including training, detraining, aging, sex differences, specificity, and genetics will be discussed within the framework of the singing voice. Vocal fatigue will be considered from a well-established strength and conditioning training theoretical framework structured to plan for fatigue management and more rapid post-performance recovery.
Following a tutorial on muscle physiology, Dr. Sandage will frame vocal function demands within the context of health, performance environment, and individual vocal demands to identify ecologically valid factors that should be considered in the training and rehabilitation domains.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr. Mary Sandage
After earning her M.A. in Speech Language Pathology at the University of Iowa, Dr. Sandage established the professional voice rehabilitation program at the University of Wisconsin-Madison, Dept. of Otolaryngology Voice Clinic.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
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Thursday 12th March 2026
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Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.
Tuesday 17th March 2026
5:00 PM - 7:00 PM
(London Time)
The Use of Vibrato in Belt and Legit Styles of Singing in Professional Female Musical Theatre Performers
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Shaped by the popular music of its time, musical theatre blends storytelling with an ever-evolving range of vocal styles—from classical legit singing to jazz, hip-hop, and powerhouse belting. Despite its importance, much of what we understand about vibrato comes from laboratory-based studies that strip singing of its musical, stylistic, and performance context. Join Dr Alyssa Becker as she connects current research with real-world pedagogy, revealing how elite musical theatre performers strategically use vibrato to shape style and storytelling, and showing how these insights can be applied in the voice studio to train stylistic flexibility and control!