Understanding the Impacts of Childhood Sexual Abuse on the Voice: A Pedagogical Guide
Thursday 27th March 2025, 5:00 PM - 7:00 PM (London Time)
The impact of childhood sexual abuse alters a person's relationship with their body, emotions and senses. Many survivors are experiencing the need to seek for the next potential threat, dissociation, lack of safety in the body, and a mistrust of other people as a result of their experiences. Being that learning to sing involves a connection to the body and a 1:1 working relationship with another person, this creates challenges that often go unspoken, due to fear or lack of language.
This workshop will discuss the five pillars of the voice (posture, breath, resonance, phonation and expression) and how experiencing childhood sexual abuse impacts each of them individually. It will outline ways to work with and around the blockages that the effects of the abuse creates in these areas.
Whilst not a diagnostic tool or treatment plan, it can help support singers and teachers in making more sense of their experiences while singing, and provide a supportive framework.
As we go through each area, exploring the physiological and psychological challenges it presents, we explore all the potential ways that through acknowledgement and working with patience the voice can ultimately be reclaimed, and used as a powerful tool for one's self-esteem, connection to themselves, others and something bigger than themselves - a necessary part of recovery from the traumatic effects of childhood sexual abuse.
This course will feature Dr Elisa Monti, who will be giving an overview of her published research that examines whether perpetrators can differentiate (by listening to the voice) those female speakers with and without assault histories, in terms of their vulnerability to further victimisation.
This workshop explores sensitive topics related to childhood sexual abuse. While the workshop aims to provide valuable insights into the relationship between trauma and the voice, it may bring up challenging emotions or personal experiences for some participants. If at any point during or after the course you feel affected, please know that 24/7 free online counselling services are available to all students. These services provide immediate, confidential mental health support, and we encourage you to reach out for assistance if needed.
Lauren McQuistin
Scottish soprano, Lauren McQuistin, completed her undergraduate studies at the Royal Conservatoire of Scotland before moving to America to pursue a Master of Music under the tutelage of Carol Vaness at Indiana University.
Dr Elisa Monti
Dr. Elisa Monti has a PhD in Cognitive, Social, and Developmental Psychology from The New School for Social Research. Her concentration is the relationship between psychological trauma and voice. Her mission is to contribute to further our understanding of this relationship.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)
“Too Much, Too Little, Just Right!” - The Balancing Act Model
Robert Edwin
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!
Thursday 30th July 2026
2:00 PM - 4:00 PM
(London Time)
A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching
William Leigh Knight
Only around 3% of the population fall into the category of amusia while over 17% consider themselves ‘tone-deaf’; and this does not account for non-singers, a wider group sometimes described as ‘tuneless’. So, who are ‘the voiceless’? Join William Leigh-Knight as he unpicks this question and considers the purpose of training a voice, when it is considered such a natural human attribute, and he expands on the principles that drive his own practice, which may be summarised as ‘person-centeredness’
Monday 3rd August 2026
1:30 PM - 2:30 PM
Tuesday 4th August 2026
1:30 PM - 2:30 PM
Wednesday 5th August 2026
1:30 PM - 2:30 PM
Thursday 6th August 2026
1:30 PM - 2:30 PM
Friday 7th August 2026
1:30 PM - 2:30 PM
(London Time)
Level Two Certificate in Accents and Phonetics with Louisa Morgan
Louisa Morgan
Build on your foundational knowledge of accents and phonetics in this week‑long lunchtime course designed specifically for voice teachers. Whether you have completed our Level 1 Certificate or already possess a basic working knowledge of phonetics and accent work, this Level 2 course will help you deepen your skills, sharpen your analytical ear, and expand your practical toolkit for teaching.