Universal Design for Voice Teaching (UDVT)
Tuesday 18th June 2024, 5:00 PM - 7:00 PM (London Time)
The Singer Cues!
Universal Design for Voice Teaching (UDVT) is a singer-led, diversity-affirming, accessibility and support-needs based pedagogical framework.
It is a structure designed to help voice educators intentionally facilitate inclusive learning spaces for singers of all abilities.
Questions to consider:
- “What is your perception of disability?”
- “What do you understand about neurodivergence?
- “Are you currently upholding pedagogical biases?”
- “Can you adjust the ways you engage with different learners?”
- “Are you aware?”
- “Are you supported?”
- “Are you equipped?”
UDVT fosters awareness, support, and readiness for educators working with singers of all abilities. It is an expansion of the Universal Design for Learning (UDL) guidelines, developed by the Center for Applied Special Technology (CAST) where their aim is to transform educational design “until learning has no limits.”
This course will introduce UDVT basics as we discuss its scope and structure. We will unpack three major networks active and necessary in the learning process:
- Engagement (a singer’s “why”)
- Representation (a singer’s “what”)
- Action and Expression (a singer’s “how”)
Engagement - umbrellas the “why” of learning to internalize each singer’s purpose and motivation.
Representation - umbrellas the “what” of learning to promote each singer’s resourcefulness and knowledge.
Action and Expression - umbrellas the “how” of learning to support each singer’s strategy and goal-direction.
You’ll finish this course with a clear understanding of the UDL guidelines, intersecting models of disability, singer support-needs, The Singer Cues, as well as clear actions to create more inclusive and accessible voice practices and spaces.
UDVT invites singers with all ways of being to access technical and artistic success within the voice studio and beyond!
Let’s make it UDVT!
Adam J Moxness
Adam is an Instructor of Theatre and Music Theatre Voice in the Conservatory for the Performing Arts at Viterbo University.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 4th November 2025
5:00 PM - 6:30 PM
Tuesday 11th November 2025
5:00 PM - 6:30 PM
Tuesday 18th November 2025
5:00 PM - 6:30 PM
Tuesday 25th November 2025
5:00 PM - 6:30 PM
Tuesday 2nd December 2025
5:00 PM - 6:30 PM
(London Time)
Introduction to Postgraduate Academic Skills - Join Live!
Debbie Winter
Are you ready to elevate your academic journey? Hosted by our very own Debbie Winter, join our comprehensive Introduction to Academic Skills course, designed to equip you with essential tools and strategies for success in higher education. Perfect for bridging the gap between undergraduate and postgraduate study, this course offers a pathway to our full MA for students without an existing degree. We offer both live, interactive sessions and standalone, pre-recorded content.
Thursday 6th November 2025
5:00 PM - 7:00 PM
(London Time)
"Throaty Sounds": Cross-linguistics, Health, & Pedagogy!
Dayle Towarnicky
Glottal stops, vocal fry, creaky voice, and more! There are many types of “throaty sounds” that we make in spoken languages and simply in vocal expression. Many practitioners have historically expressed strong views about the health or use of throaty sounds: considering them risky or unhealthy, as well as displeasing. Join Dayle Towarnicky as she reconsiders the narrative around glottals and vocal fry to support our students' use of speech!
Tuesday 11th November 2025
5:00 PM - 7:00 PM
(London Time)
The Art of Teaching the Female Musical Theatre Voice!
Dr. Christianne Roll
The female musical theatre belt sound originated on the Broadway stage in 1930, mostly associated with Ethel Merman and her vocal performance of the song “I Got Rhythm,” in the Gershwin musical, Girl Crazy. In the almost 100 years since the origin of the female musical theatre belt voice, the sound has become almost synonymous with Broadway itself. Join Dr Christianne Roll as she discusses the up-to-date strategies and techniques to create this exciting vocal production for each specific singer.