Universal Design for Voice Teaching (UDVT)
Tuesday 18th June 2024, 5:00 PM - 7:00 PM (London Time)
The Singer Cues!
Universal Design for Voice Teaching (UDVT) is a singer-led, diversity-affirming, accessibility and support-needs based pedagogical framework.
It is a structure designed to help voice educators intentionally facilitate inclusive learning spaces for singers of all abilities.
Questions to consider:
- “What is your perception of disability?”
- “What do you understand about neurodivergence?
- “Are you currently upholding pedagogical biases?”
- “Can you adjust the ways you engage with different learners?”
- “Are you aware?”
- “Are you supported?”
- “Are you equipped?”
UDVT fosters awareness, support, and readiness for educators working with singers of all abilities. It is an expansion of the Universal Design for Learning (UDL) guidelines, developed by the Center for Applied Special Technology (CAST) where their aim is to transform educational design “until learning has no limits.”
This course will introduce UDVT basics as we discuss its scope and structure. We will unpack three major networks active and necessary in the learning process:
- Engagement (a singer’s “why”)
- Representation (a singer’s “what”)
- Action and Expression (a singer’s “how”)
Engagement - umbrellas the “why” of learning to internalize each singer’s purpose and motivation.
Representation - umbrellas the “what” of learning to promote each singer’s resourcefulness and knowledge.
Action and Expression - umbrellas the “how” of learning to support each singer’s strategy and goal-direction.
You’ll finish this course with a clear understanding of the UDL guidelines, intersecting models of disability, singer support-needs, The Singer Cues, as well as clear actions to create more inclusive and accessible voice practices and spaces.
UDVT invites singers with all ways of being to access technical and artistic success within the voice studio and beyond!
Let’s make it UDVT!
Adam J Moxness
Adam is an Instructor of Theatre and Music Theatre Voice in the Conservatory for the Performing Arts at Viterbo University.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 27th April 2026
3:00 PM - 5:00 PM
Tuesday 28th April 2026
3:00 PM - 5:00 PM
Wednesday 29th April 2026
3:00 PM - 5:00 PM
Thursday 30th April 2026
3:00 PM - 5:00 PM
Friday 1st May 2026
3:00 PM - 5:00 PM
Tuesday 5th May 2026
3:00 PM - 5:00 PM
(London Time)
Certificate In Applied Neuroscience And Voice with Voice Scientist Heidi Moss
This six-day course is designed to provide an introduction to the neuroscience of vocalization. It aims to provide a foundation for those who are looking to fuse science with art and understand that the voice is so much more than an instrument.
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)
Music Theory Fundamentals for Voice Pedagogues
Dr David Cane
Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.
Thursday 7th May 2026
3:00 PM - 5:00 PM
(London Time)
Embodied voice research: negotiating the ‘inner’ and outer’
Marth Munro
The central thrust of the session will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.