Universal Design for Voice Teaching (UDVT)
Tuesday 18th June 2024, 5:00 PM - 7:00 PM (London Time)
The Singer Cues!
Universal Design for Voice Teaching (UDVT) is a singer-led, diversity-affirming, accessibility and support-needs based pedagogical framework.
It is a structure designed to help voice educators intentionally facilitate inclusive learning spaces for singers of all abilities.
Questions to consider:
- “What is your perception of disability?”
- “What do you understand about neurodivergence?
- “Are you currently upholding pedagogical biases?”
- “Can you adjust the ways you engage with different learners?”
- “Are you aware?”
- “Are you supported?”
- “Are you equipped?”
UDVT fosters awareness, support, and readiness for educators working with singers of all abilities. It is an expansion of the Universal Design for Learning (UDL) guidelines, developed by the Center for Applied Special Technology (CAST) where their aim is to transform educational design “until learning has no limits.”
This course will introduce UDVT basics as we discuss its scope and structure. We will unpack three major networks active and necessary in the learning process:
- Engagement (a singer’s “why”)
- Representation (a singer’s “what”)
- Action and Expression (a singer’s “how”)
Engagement - umbrellas the “why” of learning to internalize each singer’s purpose and motivation.
Representation - umbrellas the “what” of learning to promote each singer’s resourcefulness and knowledge.
Action and Expression - umbrellas the “how” of learning to support each singer’s strategy and goal-direction.
You’ll finish this course with a clear understanding of the UDL guidelines, intersecting models of disability, singer support-needs, The Singer Cues, as well as clear actions to create more inclusive and accessible voice practices and spaces.
UDVT invites singers with all ways of being to access technical and artistic success within the voice studio and beyond!
Let’s make it UDVT!
Adam J Moxness
Adam is an Instructor of Theatre and Music Theatre Voice in the Conservatory for the Performing Arts at Viterbo University.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 6th January 2025
5:00 PM - 7:00 PM
Monday 13th January 2025
5:00 PM - 7:00 PM
Monday 20th January 2025
5:00 PM - 7:00 PM
(London Time)
Acceptance and Commitment Training (ACT) for Music Performance Anxiety (MPA) (3-week course)
Dr David Juncos
In this updated three-part course, you will learn how to detect symptoms of music performance anxiety (MPA) among your students/clients and whether those symptoms are problematic or not. You will also learn about Acceptance and Commitment Training (ACT), an evidence-based psychotherapy and coaching model that aims to promote mindfulness and acceptance of one’s MPA symptoms, while also enhancing performance skills by increasing actions consistent with a musician’s values.
Tuesday 7th January 2025
5:00 PM - 7:00 PM
(London Time)
Hormones and female voices: an overview across life span
Filipa M.B. Lã
This seminar provides an overview of how sex steroid hormones affect the morphology and function of the female voice across life span. Special emphasis will be given to menopause and aging and how associated changes may affect respiratory, phonatory and resonatory subsystems of the vocal apparatus and, consequently, voice quality and speech.
Wednesday 8th January 2025
11:00 AM - 12:30 PM
Wednesday 15th January 2025
11:00 AM - 12:30 PM
Wednesday 22nd January 2025
11:00 AM - 12:30 PM
(London Time)
The Acting Through Song Toolkit: a 3-part course
Louisa Morgan
Do you work with students who struggle to connect their acting skills with their singing skills? Are your students currently auditioning for professional work, drama schools or entering competitions? Perhaps you are a singing teacher needing to work on performance, but you don’t have a background in acting.