Short Courses & Events / Archive

Vocal Fry and its Application to Singing Voice Training

Thursday 7th September 2023, 7:00 PM - 9:00 PM (London Time)

Vocal fry, also known as pulse phonation, creaky voice, and M0, is the phonation type with the lowest frequency. 

This presentation will discuss the types of vocal fry, share historical and current pedagogical opinions about vocal fry and its utility in teaching, and relate the results of three studies the author has led on vocal fry.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Professor John Nix

John Nix is Professor of Voice and Voice Pedagogy and chair of the voice area at the University of Texas at San Antonio.  His mentors include Barbara Doscher...

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

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Inspired Not Bound: The Promise of Science-Informed Voice Pedagogy

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Lynn Helding defines Science-Informed Voice Pedagogy in her upcoming book Practicing Science-Informed Voice Training as, “A type of hybrid singing voice pedagogy that unites science and art by researching current voice science, translating it, combining it with extant historic voice knowledge, and transmitting it to singers.” Join Lynn Helding as she seeks to understand human behaviour of both sides of the “Science versus Art” debate via research from the fields of cognitive science and behavioural science, focussing particularly on lessons learned due to several societal shifts.

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(London Time)

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Tuesday 13th October 2026
2:00 PM - 4:30 PM
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Musical Theatre Singing Pedagogy: A Framework for Teaching Musical Theatre Singers!

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Join Amanda Flynn for this extended 2.5 hour session on the the pedagogy of teaching musical theatre singing. She will begin by exploring the flexibility needed for musical theatre singing through definitions, listening exercises, and some historical context.