What Broadway Singers Wish You Knew About Mixing!
Thursday 28th August 2025, 5:00 PM - 7:00 PM (London Time)
In this research-informed session, Regina McAllen presents findings from her two qualitative studies, which amplify the voices of Broadway performers as they reflect on how they experience, develop, and refine their vocal mix. The first study involved in-depth surveys with 36 Broadway singers, exploring their early vocal training, personal definitions of mix, and the factors that influence their voices in performance. The second, recently submitted for publication, builds on that foundation through interviews with seven of the industry’s most accomplished women, taking a deeper look at the psychological dimensions of mix, particularly its connection to confidence, motivation, and resilience, and how it is shaped by broader experiences of power imbalance, trauma, and sustained industry pressure.
Through selected excerpts from performer interviews and surveys, these investigations offer a rare insider perspective on how elite singers approach and experience their mix on the Broadway stage.
The session also details the unique research and recruitment process behind the studies, including how Regina secured a high level of participation from top-tier performers, offering valuable takeaways for researchers, teachers, and practitioners alike.
Ideal for vocal pedagogues, coaches, musical directors, and voice professionals, this class bridges technique and lived experience. By listening directly to those at the top of their craft, we gain more than technical insight; we gain empathy, nuance, and a deeper understanding of what true vocal resilience looks like in the high-pressure world of professional musical theatre.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Regina McAllen
Regina McAllen is an award-winning musical director, voice teacher, pianist, choral conductor, and educator. Originally from the Yukon Territory in Canada, she grew up immersed in both classical training and the spirited traditions of vaudeville and ragtime. She later studied piano performance at the Vienna Conservatory in Austria, followed by degrees in Piano Pedagogy, Piano Performance, and Music Education from Westminster Choir College in Princeton, New Jersey, where she performed with Leonard Bernstein, Luciano Pavarotti, and the New York and Philadelphia Philharmonic Orchestras.

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.


Thursday 9th October 2025
2:00 PM - 4:00 PM
(London Time)
Navigating Vocal Aging for Singers

Karen Brunssen
As singers approach their senior years, they can benefit greatly from a voice teacher who understands the normal changes involved as they navigate vocal aging. This course will focus on the realities of aging voices for senior singers and what can be done to address vocal production and peripheral issues that can affect the activity of singing.


Friday 10th October 2025
3:00 PM - 5:00 PM
Monday 13th October 2025
3:00 PM - 5:00 PM
(London Time)
Introduction to Vocal Acoustics for Spoken and Sung Voice

Gökçe Kutsal
This course is designed to break down the fundamentals of acoustics for both spoken and sung voice in a beginner-friendly, accessible way — so you can easily understand and apply these concepts to your teaching or research.


Monday 13th October 2025
5:00 PM - 7:00 PM
(London Time)
Water Resistance Therapy and Semioccluded Devices for Voice Training

Dr Marco Guzmán
Several voice devices to perform water resistance therapy (WRT) and some oscillatory positive expiratory pressure devices (OPEP) (e.g. Acapella Choice, Shaker Medic Plus, New Shaker) are now commonly used for both voice training and voice therapy. Are these devices truly good for voice training? Are these devices the treatment by themselves? and how much evidence currently supports the use of these devices?