Short Courses & Events / Archive

What Is The Feldenkrais® Method And How Can It Be Applied To Vocal Learning?

Thursday 17th February 2022, 5:00 PM - 7:00 PM (London Time)

In this workshop, Robert will introduce you to the classic Feldenkrais approach to movement improvement and demonstrate how it can be applied in the vocal context.

Dr. Moshe Feldenkrais (1904-1984), the eponymous creator of the Feldenkrais® Method of Somatic Education, was a Physicist and Engineer, Martial Artist and Movement Educator.

In endeavoring to work with his own knee injury from when he was 18 years old–which doctors at that time said could not be improved by surgery or any other medical intervention–Dr. Feldenkrais eventually created a way of working with himself (and any other person) that could improve physical function through expanded awareness, movement and learning regardless of structure or pathology.

Called “the first neuroplastician” by Dr. Norman Doidge (author of “The Brain’s Way of Healing”), Feldenkrais’ method is now used by Certified Feldenkrais Practitioners™ around the world to work with people who have been injured or live with diseases for which little other help exists.

The Feldenkrais® Method is also beneficial for artists, performers, athletes and anyone else interested in improving movement, function, awareness and ability of any sort!

In essence, “Feldenkrais” is a way of thinking. Although Dr. Feldenkrais, himself, chose movement to be it’s main mode of transmission, the method can also be applied in diverse ways, to and through many other modalities.

Robert Sussuma, singer, voice teacher and Feldenkrais Practitioner™, has adapted the principles and movement strategies from the traditional Feldenkrais cannon and re-formatted them in new ways to assist in vocal learning for singers, actors and voice users of all levels.

Robert Sussuma

Robert Sussuma (MMus., GCFP), holds two degrees in vocal performance, has taught at many colleges and universities (including Naropa University, PACE...

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Creative Articulation
Thursday 30th October 2025
5:00 PM - 7:00 PM
(London Time)

Creative Articulation

Annie Morrison

Most of us have little idea of HOW we speak, or what to do to make speech more muscular. Join Annie Morrison (creator of the 'Morrison Bone Prop') for this two hour session on Creative Articulation, a holistic and haptic approach to the touchings and feelings of the articulators in the dance of speech. Seeing articulation as a purely mechanical skill is detrimental to an actor's process: it is crucial to understand what language is doing on a biological level.

The Belt Voice in R&B/Soul Singing: Vocal Characteristics & Physiology
Tuesday 4th November 2025
10:00 AM - 12:00 PM
(London Time)

The Belt Voice in R&B/Soul Singing: Vocal Characteristics & Physiology

Dr Matt Allen

The belt’s got soul! This course offers a deep dive into the vocal artistry and biomechanics of R&B/soul singing, with a particular focus on the belt voice—a powerful and expressive vocal technique central to the genre. Drawing from over 80 years of stylistic evolution, the course explores how R&B/soul singing has shaped contemporary commercial music and investigates the unique vocal traits that define its sound.

The Science of Sound: Optimizing Vocal Acoustics for Contemporary Styles!
Tuesday 4th November 2025
3:00 PM - 5:00 PM
(London Time)

The Science of Sound: Optimizing Vocal Acoustics for Contemporary Styles!

Dr Ana Flavia Zuim

This course explores the scientific principles underpinning vocal production, acoustics, and the care of the singing voice, drawing from both foundational texts and contemporary research. Students will engage deeply with concepts from Titze’s Principles of Voice Production and Bozeman’s Practical Vocal Acoustics, including the nature of sound, pressure waveforms, harmonics, formants, and the spectral envelope. Emphasis is placed on understanding both linear and non-linear source-filter models, highlighting how the glottis produces sound and how the vocal tract selectively reinforces harmonics to enhance vocal power, timbre, and efficiency.