Dr. Richard Lissemore is a well-known performer, educator, and researcher of the singing voice. Educated at two of America’s finest conservatories, he holds an Artist Diploma from the Juilliard Opera Center and a Master of Music from Cincinnati’s College-Conservatory of Music. Additionally, he is a Phi Beta Kappa, magna cum laude graduate of Rutgers University with a degree in microbiology and music. After a long career as a singing and voiceover actor, he returned to school to train as a research scientist. Accepted into the doctoral program in Speech-Language-Hearing Sciences at the graduate Center of The City University of New York, he earned a Master of Philosophy (M. Phil.) in 2016 and a Doctor of Philosophy (Ph.D.) in 2024. His award-winning research focuses on the intersection of articulation and acoustics in professional sopranos. 

Presently, he serves as Adjunct Assistant Professor of Speech-Language-Hearing Sciences at Lehman College of The City University of New York, where has taught in both the undergraduate and graduate programs. He also has a very active online singing studio in which he teaches and coaches professional performers and mentors many singing teachers. His professional affiliations include Actors’ Equity Association (AEA), the National Association of Teachers of Singing (NATS), The Voice Foundation, The Acoustical Society of America (ASA), and The American Speech & Hearing Association (ASHA). From 1999 to 2020, he owned Lissemore Music Studios in New York City. More at www.richardlissemore.com

Upcoming Short Courses

Sex differences in VOICE!
Tuesday 3rd March 2026
5:00 PM - 7:00 PM
(London Time)

Sex differences in VOICE!

Dr Richard Lissemore

This two-hour workshop, led by performer, articulatory phoneticist, and voice physiologist, Dr. Richard Lissemore, will examine in detail the role that biological sex plays in the perception and pedagogy of singing voices. We'll consider how parameters such as anatomy, physiology, articulation, resonance, and radiated acoustics influence the perceptions and pedagogical decision-making of singing teachers.

Past Short Courses

Articulatory Activity Of The Tongue, Jaw, And Lips During The Second Passaggio Acoustic Transition Of Female Singers
Thursday 15th September 2022
5:00 PM - 7:00 PM
(London Time)

Articulatory Activity Of The Tongue, Jaw, And Lips During The Second Passaggio Acoustic Transition Of Female Singers

Dr Richard Lissemore

Sopranos typically exhibit an acoustic modification between 600 and 700 Hz (on /ɑ/) during which second resonance (R2) tracking of the second harmonic (2fo) changes to first resonance (R1) tracking of the fundamental (fo).