Voice Study Centre lecturer Louisa Morgan invited to present a workshop at PEVOC!
Wednesday 1st May 2024
Voice Study Centre
We are pleased to announce that Voice Study Centre lecturer, Louisa Morgan will present a workshop at the 15th Congress of the PEVOC (PanEuropean Voice Conference); to be held in Santander between Wednesday 4 and Saturday 7, September 2024.
Congratulations, Louisa!
Louisa Morgan
Louisa Morgan is a lecturer, voice teacher and researcher, with a special focus on spoken and sung emotion. Louisa lectures with Voice Study Centre (spoken voice lead). Previously, Louisa taught technical singing for the MA/MFA Musical Theatre students at the Guilford School of Acting (GSA) and Italia Conti, and she was also a spoken and singing voice coach for the Acting students at the Cygnet Training Theatre.
Recent Posts
After The Session
After The Session: Thinking Outside the Voice Box: Adolescent Female Voice Change
Voice Study Centre
Thursday 15th October 2026In our recent short course, Thinking Outside the Voice Box: Adolescent Female Voice Change, Dr Bridget Sweet-Manternach explored how voice teachers can better understand and support singers experiencing the changes of adolescence. Adolescence is a period of significant physical, psychological and emotional development. However, voice change is not always straightforward, and the experiences of singers whose voices are often overlooked in traditional discussions of puberty deserve greater attention.
Read More...
Student Interviews
Before We Change: Practicing Presence in Vocal Transformation
Voice Study Centre
Wednesday 14th October 2026Just because we can change a singer’s voice doesn’t necessarily mean we should. For Voice Study Centre MA student Chris Harbison Borgelt, meaningful voice teaching begins with a different question: who is the change really for?
Read More...
After The Session
After the Session: Musical Theatre Singing Pedagogy with Amanda Flynn
Voice Study Centre
Wednesday 14th October 2026What makes musical theatre singing different from other forms of vocal performance? And how can teachers help singers develop the flexibility, efficiency and stylistic versatility needed for a demanding professional career?
Read More...