Short Courses & Events / Archive

A Strategic Approach to Developing Mix and Belt

Thursday 15th August 2024, 5:00 PM - 7:00 PM (London Time)

Mix and belt are vocal qualities found throughout commercial and musical theatre styles of singing. While some singers naturally develop these vocal qualities on their own without the need for a structured approach, others need to fine tune their motor system with a strategic progression of exercises to fully coordinate their instrument. By coordinating the five intrinsic laryngeal muscles to produce a wide variety of vibratory patterns, teachers can set their students free from overthinking and help them bring their stories to life through song. By also integrating stamina exercises, teachers can help their students sustain their mix and belt for the strenuous performance demands singers face today. This approach helps students move through the cognitive stage of learning into the motor learning stage and eventually automaticity which allows them to perform with a voice that follows the intent of their performance.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Matt Edwards

Matt Edwards is one of the leading voice teachers for commercial and musical theatre styles in the United States. He is currently an Associate Professor and Coordinator of Musical Theatre Voice at Shenandoah Conservatory.

CPD Course Logo

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

The Race of Sound – Why Do We Think We Can Hear Race Vocally?
Thursday 24th October 2024
5:00 PM - 7:00 PM
(London Time)

The Race of Sound – Why Do We Think We Can Hear Race Vocally?

Nina Eidsheim

Why and how do we make assumptions about a person’s race, gender, or age based on the timbre of their voice? We will examine historical precedents for racialized listening to voices as well as contemporary realities, utilizing a framework for critically interrogating the racializing processes embedded in vocal and listening practices.

‘Disarming’ Performance Anxiety: Re-engaging the joy of performing by becoming more resilient in our innate vulnerability
Tuesday 29th October 2024
10:00 AM - 12:00 PM
(London Time)

‘Disarming’ Performance Anxiety: Re-engaging the joy of performing by becoming more resilient in our innate vulnerability

Dr Mark Seton

In this workshop, Dr Mark Seton will offer practical, playful and holistic strategies to ‘dis-arm’ three factors of being human that can impact our capacity to perform: doubt, shame and trauma.

Dosimetry Measurement of Vocal Demands in Contemporary Musical Theatre
Thursday 31st October 2024
5:00 PM - 7:00 PM
(London Time)

Dosimetry Measurement of Vocal Demands in Contemporary Musical Theatre

Celia Stewart

Singers are highly skilled vocal athletes who master specialized vocal requirements when cast to perform in a musical theatre production. Their participation is physically, vocally, and emotionally challenging.