A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching
Thursday 30th July 2026, 2:00 PM - 4:00 PM (London Time)
This talk is about helping the voiceless to find their voices. It offers strategies and tools for working with those who think themselves ‘tone-deaf’ or ‘non-singers’.
Only around 3% of the population fall into the category of ‘amusia’ while over 17% consider themselves ‘tone-deaf’; and this does not account for ‘non-singers’, a wider group sometimes described as ‘tuneless’. So, who are ‘the voiceless’?
After an introduction, with a few thoughts about what we might mean by ‘voiceless’, William asks why you want to teach singing and who your students might be. He will briefly explore the history of the study of singing, and the various movements encouraging community singing.
Why, indeed do we sing and why has there long been an emphasis on the health giving and social benefits of singing? William considers what is the purpose of training a voice, when it is considered such a natural human attribute, and he expands on the principles that drive his own practice, which may be summarised as ‘person-centeredness’
The question is why on earth would a ‘tone-deaf’ person want to learn to sing? William discusses some of the scientific research into ‘tone-deafness’ and he recounts a few of his own case-histories.
The 19th c. novel ‘Trilby’ tells how a tone-deaf woman was transformed into a great singer by a rather sinister man called Svengali. This seems like a magic trick, but ‘tone-deafness’ is a complex syndrome with different manifestations, many causes, and a multiplicity of ways of helping a person overcome it – without resorting to hypnosis! We will look at strategies for teaching non-singers, through different sorts of choirs, small-group classes, and private lessons. William will also explain several of the techniques he has used to work with individuals.
At the halfway stage there will be a short break during which participants can record any questions they might have for later. They are also invited to consider a questionnaire that William used in his class ‘Tone Deaf? No Way!’ which was part of his ongoing study too. After a summary, the evening will end with a ten-minute Q&A. Participants are offered a selective reading list and some other supporting documents.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
William Leigh Knight
William Leigh Knight (AGSM, FISM, ProfDoc) is a singer and voice teacher who trained at the Guildhall School of Music and Drama (GSMD). His performances have ranged from song recitals and chamber opera to mediaeval church music drama.William is a singer and voice teacher, who trained, at the Guildhall School of Music and Drama (GSMD). His performances have ranged from song recitals and chamber opera to mediaeval church music drama. He has always been a professional church chorister but now, living on a remote Scottish island, he is a parish organist. Last year he was awarded the RSCM Nicholson Award, for sustaining the church music in Colonsay.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 19th October 2026
2:00 PM - 4:00 PM
Tuesday 20th October 2026
2:00 PM - 4:00 PM
(London Time)
Introduction to Vocal Acoustics for Spoken and Sung Voice
Gökçe Kutsal
This course is designed to break down the fundamentals of acoustics for both spoken and sung voice in a beginner-friendly, accessible way — so you can easily understand and apply these concepts to your teaching or research.
Tuesday 20th October 2026
5:00 PM - 7:00 PM
(London Time)
Practical Magic*: The Art & Science of Balancing Voices with SOVTs and VFEs
Melanie Tapson
Through live demonstrations, group practice, and peer coaching, you’ll learn how to teach SOVTs and VFEs with clarity and precision, integrate their principles to support vocal health, recovery, and stylistic flexibility and troubleshoot challenges and adapt exercises for individualized results.
Tuesday 27th October 2026
5:00 PM - 7:00 PM
(London Time)
Pop Pedagogy - an Overview
Kim Chandler
Some successful pop stars are celebrating career lengths of over sixty years, having been around since the 1950s when pop music emerged and diversified from jazz, so pop singing has been in existence sufficiently long now that, for teaching purposes, we can observe and analyse what type of approach serves it best.