Accent and Language: Context and Culture with Eric Armstrong
Wednesday 28th May 2025, 2:00 PM - 4:00 PM (London Time)
How best should a coach, teacher or researcher approach an accent or language variety and the people who speak it? Accent coach, designer, educator and researcher Eric Armstrong will discuss ethical and reliable research methods, sources, and fieldwork that benefits the community and the artists who will make use of data and materials you generate. Whether preparing for work on historical fiction, contemporary verbatim theatre pieces based on real individuals, or science fiction with constructed language or accents, there is much to consider as you approach the world—and people—of each project you work on.
Eric Armstrong works as an accent/dialect coach for theatre, film, television and gaming. He is the Chair of the Department of Theatre, Dance & Performance at York University in Toronto, Canada, where he teaches voice, speech, dialects/accents, and text in the BFA acting program. Eric holds a BFA from Concordia University and an MFA from York University, as well as certificates from The Drama Studio, London; The International Commedia Dell'Arte Training Workshop, Italy; and is certified in Knight-Thompson Speechwork. He has taught full-time at university programs for over thirty years in Toronto, Windsor, Boston and Chicago.
His professional dialect coaching/design for theatre includes work for Project Humanity, Royal Manitoba Theatre Centre, Volcano Theatre, Canadian Stage, Crow's Theatre, Buddies in Bad Times Theatre, Soulpepper, Steppenwolf and Court Theatre; coaching for film and television highlights include designing the Belter accents for Prime Video’s The Expanse, as well as coaching actors Iain Glen, Felicity Jones, Eric Bana, Kelly Macdonald, America Ferrera, Jared Harris, Michelle Williams, Sarah Silverman, and Tom Wilkinson.
He is a former director and board member of VASTA; he has presented countless times at the annual VASTA conference and has frequently presented on accent resources for under-represented groups. He is a member of the Canada’s National Voice Association and presented on Voice for Devising as part of the 2024 NVA Conference. He has published numerous articles and reviews in the Voice and Speech Review and was the recipient of its Dudley Knight Award for Outstanding Vocal Scholarship.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Eric Armstrong
Eric Armstrong works as an accent/dialect coach for theatre, film, television and gaming. He is the Chair of the Department of Theatre, Dance & Performance at York University in Toronto, Canada, where he teaches voice, speech, dialects/accents, and text in the BFA acting program.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
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Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)
Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Louisa Morgan
This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)
Acting Emotion: Perspectives from the Masters
Louisa Morgan
Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.