Short Courses & Events / Archive

An Introduction to Extreme Voices in Video Games

Tuesday 27th January 2026, 2:00 PM - 4:00 PM (London Time)

Extreme vocals are prevalent in video games. Whether it is for human characters or creature vocalizations, they can put untrained voice talent at risk and seriously jeopardize their vocal health.

In this workshop, Sebastien Croteau will give insight into :

  • The reality and context of extreme voices in video games
  • Myths and misinformation about extreme voices
  • The classification of vocal effects and main characteristics;
  • Vocal anatomy and Sound Production;
  • The science behind extreme voices and rough vocal effects;
  • The limitations of existing scientific studies;
  • The training methods for extreme voices;
  • Semi-Occluded Vocal Tract Exercices (SOVTE) and extreme voices;
  • Benefits of training with a qualified extreme vocal coach;
  • How to choose a vocal coach for extreme voices;

Metal vocalist since 1991 (Necrotic Mutation) and throat singer (Tibetan, Mongolia and Inuit throat-singing) since 1996, Sébastien Croteau masters an impressive number of extreme vocal techniques and vocal effects. He began teaching metal voices and throat-singing 15 years ago, He recently obtained a certification given by New York Vocal Coaching for having completed the Vocal Distortion Teacher Training. He has trained hundreds of metal vocalists and voice talents around the world and he is a renowned specialist in vocal distortion, extreme sounds and creature vocalizations.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Sebastien Croteau

Metal vocalist since 1991 (Necrotic Mutation) and throat singer (Tibetan, Mongolia and Inuit throat-singing) since 1996, Sébastien Croteau masters an impressive number of extreme vocal techniques and vocal effects. He began teaching metal voices and throat-singing 15 years ago, He recently obtained a certification given by New York Vocal Coaching for having completed the Vocal Distortion Teacher Training. He has trained hundreds of metal vocalists and voice talents around the world and he is a renowned specialist in vocal distortion, extreme sounds and creature vocalizations.

CPD Course Logo

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Sex differences in VOICE!
Tuesday 3rd March 2026
5:00 PM - 7:00 PM
(London Time)

Sex differences in VOICE!

Dr Richard Lissemore

This two-hour workshop, led by performer, articulatory phoneticist, and voice physiologist, Dr. Richard Lissemore, will examine in detail the role that biological sex plays in the perception and pedagogy of singing voices. We'll consider how parameters such as anatomy, physiology, articulation, resonance, and radiated acoustics influence the perceptions and pedagogical decision-making of singing teachers.

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Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)

Learn to Coach RP and SSBE – a Certificate in Accent Coaching

Louisa Morgan

This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.

Acting Emotion: Perspectives from the Masters
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)

Acting Emotion: Perspectives from the Masters

Louisa Morgan

Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.