Short Courses & Events / Archive

Breathing Is Meaning – Fitzmaurice Voicework® and Speaking Voice Clients

Wednesday 21st January 2026, 2:00 PM - 4:00 PM (London Time)

Fitzmaurice Voicework is a global leader in voice training for performance, with certified teachers of the work around the world. In her seminal article “Breathing Is Meaning,” Catherine Fitzmaurice charts her development of the approach for actors to address vocal flexibility, strength, authenticity, and ease. The work has since been studied or applied in other areas including public presentation, developing creative work, reducing performance anxiety, speech training, and cognitive function.

The course invites participants to engage in introductory Fitzmaurice Voicework practices and exercises.

The four core elements of Fitzmaurice Voicework—Destructuring, Restructuring, Presence, and Play—provide opportunities to explore the interplay of breathing, body awareness, and voice through movement and somatosensory exercises designed to both release excess muscular tensions and strengthen spoken communication.

Destructuring connects breath with somatosensory awareness and physical effort in a spontaneous, moment to moment way. Destructuring implements modified yoga and other dynamic positions that change how and where the body moves to breathe. Intentionally produced “tremors” or shaking in the extremities (arms and legs) are also introduced to explore breath and somatosensory responses. Depending on individual choice, the practice of Destructuring can range from gentle to vigorous. It creates opportunities to explore spontaneity by allowing the breath to follow the changing demands of various positions and movements, among other potential benefits.

Restructuring proceeds from the “free breathing” practice of Destructuring into patterning the breath through impulse, movement, and muscular use (breath support/management) to vocalize in ways that balance ease, energy, and focus. Restructuring supports a wide range of voice, speech, textual, and professional presentation demands. Restructuring also aims to unite speaker, listener, and environment in an ongoing communication loop.

The somatosensory aspects of De- and Restructuring practices contribute to a sense of Presence that centers and grounds the speaker. Practicing FV also benefits both student/client and instructor, opening the way for more effective, empathetic communication. Play encourages adapting elements of the approach to suit individual, practical, and artistic choices, while serving as an effective teaching modality.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Lynn Watson

Lynn Watson (she/her) is a voice, speech, and dialect specialist and has coached Oscar, Tony, and Emmy winning actors. She is a Lifetime Distinguished Member of the Voice and Speech Trainers Association (VASTA) and Director of Research Studies at the Fitzmaurice Voice Institute.

CPD Course Logo

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Music Theory Fundamentals for Voice Pedagogues
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)

Music Theory Fundamentals for Voice Pedagogues

Dr David Cane

Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.

The Vocal Health Challenges for Actors and Singers!
Thursday 14th May 2026
5:00 PM - 7:00 PM
Friday 15th May 2026
5:00 PM - 7:00 PM
(London Time)

The Vocal Health Challenges for Actors and Singers!

Leda Scearce

Two part course! Vocal health principles are inextricably and symbiotically linked with singing and acting voice pedagogy: Good vocal health allows the singer and actor to more easily and effectively achieve their technical and artistic goals, and good teaching reinforces vocal technique that diminishes the risk of vocal injury. We now also recognize the necessity for singers and actors to understand how their instruments work, how to take care of their voices, and what to do when something goes wrong. Singing and acting teachers are indeed on the front lines of vocal health!

Staging A Coup: History meets science for the coup de la glotte!
Tuesday 19th May 2026
5:00 PM - 7:00 PM
(London Time)

Staging A Coup: History meets science for the coup de la glotte!

Kourtney Austin

Historical vocal pedagogy, voice science, voice health, and performance practice come together in this presentation from Kourtney Austin! The session addresses the historical context for teaching the onset as a fundamental skill, along with a review of a recent publication examining the acoustic effects of different types of onset, and practical studio implementation of onset training. The aforementioned publication is the first known research to objectively measure the acoustic implications of the coup de la glotte, and delineate it from the hard glottal attack.