Short Courses & Events / Archive

Compassion Focused Training: An Updated Course for Singers, Singing Teachers, and Other Music Professionals

Monday 12th May 2025, 5:00 PM - 7:00 PM (London Time)

Tuesday 13th May 2025, 5:00 PM - 7:00 PM (London Time)

Wednesday 14th May 2025, 5:00 PM - 7:00 PM (London Time)

During the 1980’s & 90’s, British psychologist Paul Gilbert & colleagues noticed a trend among certain patients who received Cognitive Behavioral Therapy for depression: they would berate themselves for not improving in their treatment, despite having put effort into it.  This astute observation led him to believe the likely reason for their lack of progress was the patients’ relentlessly self-critical thinking styles, which not only contributed to the maintenance of their depression, but likely to its origin as well.  What followed was the creation of a groundbreaking new therapy called Compassion Focused Therapy (CFT; Gilbert, 2000) that aimed to alleviate suffering by helping individuals with high shame and self-criticism to generate affiliative feelings towards themselves and a more compassionate inner voice.  Rooted in evolutionary psychology, neuroscience, Buddhism, CBT, & social and developmental psychology, CFT asserts the human brain is actually quite tricky to navigate, and thus, it’s not our fault we find ourselves struggling or suffering with it, or with life’s inevitable stressors.

Since its inception, CFT and related therapy models, e.g., Kristin Neff and Christopher Germer’s Mindful Self-Compassion (2013), have received increasing empirical support as treatments for anxiety, depression, and stress.  In recent years, compassion-based programs are starting to arise within non-clinical settings as well, e.g., with athletes, university students, and musicians, as tools for coping with similar psychological challenges.  When used with athletes in particular, self-compassion is promoted as an alternative to “mental toughness,” as it helps to develop courage to face the inherent challenges within competitive sports.  Although the role self-compassion plays in alleviating musicians’ psychological stressors is still under investigation, it is believed to benefit them in similar ways.

In this updated, three-part course, you will learn about the role shame and self-critical thinking play in maintaining psychological distress, and about the theoretical underpinnings of Gilbert’s CFT model and Neff & Germer’s model of self-compassion. You’ll also learn about the three emotion regulation systems, and specifically how to increase activity in the Soothing & Contentment system, which is known to create feelings of safeness within oneself & with others, when activated.  Specifically, you’ll learn compassion-enhancing strategies to help manage common sources of stress for musicians, i.e., dealing with mistakes & negative feedback of one’s work, audition setbacks, perfectionistic concerns of one’s performance, coping with burnout, career uncertainty & transitions, and others.

🏷️ Price £150 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Dr David Juncos

David Juncos, PsyD, is a clinical psychologist, lecturer, performance coach, author, and music performance researcher based in Philadelphia, PA. He has 20 years of experience in treating a variety of clinical problems, including anxiety, mood, and substance use disorders.

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Inspired Sound: Unlocking the Science of Choral Acoustics
Tuesday 16th December 2025
2:00 PM - 4:00 PM
(London Time)

Inspired Sound: Unlocking the Science of Choral Acoustics

Professor Helena Daffern

In this session, Professor Helena Daffern will explore the fascinating science behind choral sound, offering choir singers and directors valuable insights into achieving a cohesive and expressive ensemble, no matter what their standard. The concept of choral blend will be examined —what it is, how it can be cultivated, and the roles of intonation and vibrato will be analysed. The decisions that have to be made around intonation when tuning thirds or dealing with modulations over the course of an a cappella piece will be explained in the context of existing research and different singing styles such as barbershop singing and solo voice ensembles.

Unclenching the Jaw: Options from the Physio Lens
Tuesday 16th December 2025
5:00 PM - 7:00 PM
(London Time)

Unclenching the Jaw: Options from the Physio Lens

Walt Fritz

“Jaw tension” is one of many potential problems facing the singer, and can cause a direct negative impact on the performance in both direct and indirect ways. The underlying cause of jaw issues is attributed to numerous factors (technique, posture, strength, range of motion, etc.), making it often difficult to identify common denominators. Join Walt Fritz as he examines the evidence supporting stretching, strengthening, and manual therapy interventions to address jaw-related concerns in vocal performers, taking into account their unique needs.

Improving Lyric Italian Diction for Classical Singers
Thursday 18th December 2025
3:00 PM - 5:00 PM
(London Time)

Improving Lyric Italian Diction for Classical Singers

Professor Conroy Cupido

Join Professor Conroy Cupido as he offers an in-depth exploration of the most frequent pronunciation errors made by classical singers in Italian lyric diction. Designed for both emerging and advanced singers, the course provides a structured and practical approach to mastering Italian pronunciation as used in opera, oratorio, and art song.