Compassion Focused Training: An Updated Course for Singers, Singing Teachers, and Other Music Professionals
Monday 12th May 2025, 5:00 PM - 7:00 PM (London Time)
Tuesday 13th May 2025, 5:00 PM - 7:00 PM (London Time)
Wednesday 14th May 2025, 5:00 PM - 7:00 PM (London Time)
During the 1980’s & 90’s, British psychologist Paul Gilbert & colleagues noticed a trend among certain patients who received Cognitive Behavioral Therapy for depression: they would berate themselves for not improving in their treatment, despite having put effort into it. This astute observation led him to believe the likely reason for their lack of progress was the patients’ relentlessly self-critical thinking styles, which not only contributed to the maintenance of their depression, but likely to its origin as well. What followed was the creation of a groundbreaking new therapy called Compassion Focused Therapy (CFT; Gilbert, 2000) that aimed to alleviate suffering by helping individuals with high shame and self-criticism to generate affiliative feelings towards themselves and a more compassionate inner voice. Rooted in evolutionary psychology, neuroscience, Buddhism, CBT, & social and developmental psychology, CFT asserts the human brain is actually quite tricky to navigate, and thus, it’s not our fault we find ourselves struggling or suffering with it, or with life’s inevitable stressors.
Since its inception, CFT and related therapy models, e.g., Kristin Neff and Christopher Germer’s Mindful Self-Compassion (2013), have received increasing empirical support as treatments for anxiety, depression, and stress. In recent years, compassion-based programs are starting to arise within non-clinical settings as well, e.g., with athletes, university students, and musicians, as tools for coping with similar psychological challenges. When used with athletes in particular, self-compassion is promoted as an alternative to “mental toughness,” as it helps to develop courage to face the inherent challenges within competitive sports. Although the role self-compassion plays in alleviating musicians’ psychological stressors is still under investigation, it is believed to benefit them in similar ways.
In this updated, three-part course, you will learn about the role shame and self-critical thinking play in maintaining psychological distress, and about the theoretical underpinnings of Gilbert’s CFT model and Neff & Germer’s model of self-compassion. You’ll also learn about the three emotion regulation systems, and specifically how to increase activity in the Soothing & Contentment system, which is known to create feelings of safeness within oneself & with others, when activated. Specifically, you’ll learn compassion-enhancing strategies to help manage common sources of stress for musicians, i.e., dealing with mistakes & negative feedback of one’s work, audition setbacks, perfectionistic concerns of one’s performance, coping with burnout, career uncertainty & transitions, and others.
🏷️ Price £150 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr David Juncos
David Juncos, PsyD, is a clinical psychologist, lecturer, performance coach, author, and music performance researcher based in Philadelphia, PA. He has 20 years of experience in treating a variety of clinical problems, including anxiety, mood, and substance use disorders.
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)
Music Theory Fundamentals for Voice Pedagogues
Dr David Cane
Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.
Tuesday 19th May 2026
5:00 PM - 7:00 PM
(London Time)
Staging A Coup: History meets science for the coup de la glotte!
Kourtney Austin
Historical vocal pedagogy, voice science, voice health, and performance practice come together in this presentation from Kourtney Austin! The session addresses the historical context for teaching the onset as a fundamental skill, along with a review of a recent publication examining the acoustic effects of different types of onset, and practical studio implementation of onset training. The aforementioned publication is the first known research to objectively measure the acoustic implications of the coup de la glotte, and delineate it from the hard glottal attack.
Thursday 21st May 2026
5:00 PM - 7:00 PM
(London Time)
Letting the Text Live: Reading Aloud with Expression!
Louisa Morgan
This 2-hour interactive session is designed to help you make more deliberate, expressive choices in your speaking of the written word. It will involve plenty of practical exploration and will cover tips and techniques for working with the voice to lift the text off the page. Work with me to refine nuance, precision, and expressive range. We’ll explore a variety of text samples to cover a wide range of real-world situations, so you can get a feel for the different styles and approaches. If you want your spoken text to sound purposeful, engaging, and unmistakably yours, this session will invite you to play with some tools to do just that.