Compassion Focused Training (CFT) for Singers, Singing Teachers and Other Music Professionals (2-week course)
Monday 4th December 2023, 5:00 PM - Monday 11th December 2023 7:00 PM (London Time)
During the 1980s & 90s, British psychologist Paul Gilbert & colleagues noticed a trend among certain patients who received Cognitive Behavioral Therapy (CBT) for depression: they would berate themselves for not improving in their treatment, despite having put effort into it. This astute observation led him to believe the likely reason for their lack of progress was the patients’ relentlessly self-critical thinking styles, which not only contributed to the maintenance of their depression, but likely to its origin as well.
What followed was the creation of a ground-breaking new therapy called Compassion Focused Therapy (CFT; Gilbert, 2000) that aimed to alleviate suffering by helping individuals with high shame and self-criticism to generate affiliative feelings towards themselves and a more compassionate inner voice. Rooted in evolutionary psychology, neuroscience, Buddhism, CBT, & social and developmental psychology, CFT asserts that the human brain is actually quite tricky to navigate, and thus, it’s not our fault we find ourselves struggling or suffering with it, or with life’s inevitable stressors.
Since its inception, CFT and related therapy models, e.g., Kristin Neff and Christopher Germer’s Mindful Self-Compassion (2013), have received increasing empirical support as treatments for anxiety, depression, and stress. In recent years, compassion-based programmes are starting to arise within non-clinical settings as well, e.g., with athletes, university students, and musicians, as tools for coping with similar psychological challenges. When used with athletes in particular, self-compassion is promoted as an alternative to 'mental toughness', as it helps to develop courage to face the inherent challenges within competitive sports. Although the role self-compassion plays in alleviating musicians’ psychological stressors is still under investigation, it is believed to benefit them in similar ways.
In this two-part course, you will learn about the theoretical underpinnings of Gilbert’s CFT model and Neff & Germer’s model of self-compassion. You’ll also learn about the three emotion regulation systems, and specifically how to increase activity in the Soothing & Contentment system, which is known to create feelings of safeness within oneself & with others, when activated. Specifically, you’ll learn compassion-enhancing strategies to help manage common sources of stress for musicians, i.e. dealing with mistakes & negative feedback of one’s work, audition setbacks, perfectionistic concerns of one’s performance, coping with burnout, career uncertainty & transitions, and others.
Part 1: Theoretical Models of Compassion & Common Stressors for Musicians
Monday 4th December 2023 (5-7pm UK time)
- What the research on compassion teaches us
- Gilbert’s CFT model and Neff & Germer’s model of self-compassion
- Common types of problems facing musicians
Part 2: Enhancing Compassion with Techniques from CFT & Mindful Self-Compassion
Monday 11th December 2023 (5-7pm UK time)
- Soothing breathing rhythm
- Compassionate letter writing
- Compassionate imagery
- Other skills & benefits of enhanced compassion
Dr David Juncos
David Juncos, PsyD, is a clinical psychologist, lecturer, performance coach, author, and music performance researcher based in Philadelphia, PA. He has 20 years of experience in treating a variety of clinical problems, including anxiety, mood, and substance use disorders.
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 18th November 2025
5:00 PM - 7:00 PM
(London Time)
Seeing Sound: An Acoustic Approach to Voice for Actors!
Professor Kathryn Cunningham
Dr Sri Nandamudi
In this short course, Professors Kathryn Cunningham and Srihimaja Nandamudi (CCC-SLP) will introduce accessible ways to integrate acoustic voice analysis into actor voice training. Expanding on their article for Voice and Speech Review, Cunningham and Nandamudi will demonstrate interactive strategies that crossover from the clinical realm to the acting studio.
Thursday 20th November 2025
5:00 PM - 7:30 PM
(London Time)
The Art and Science of Accents and Dialects: Bridging Linguistics and Dialect Coaching
Louisa Morgan
The Voice Study Centre in partnership with the University of Essex are delighted to be hosting a free-to-attend symposium event on the 20th of November 2025: The Art and Science of Accents and Dialects: Bridging Linguistics and Dialect Coaching. The session will include a two-hour online roundtable panel discussion including time for a 30-minute Q&A from the audience at the end.
Tuesday 25th November 2025
2:00 PM - 4:00 PM
(London Time)
Singing In Regional Accents: Introducing a Strategy!
Jennifer Rhodes
Do you find your students lean towards a particular accent when they sing? Is there a discrepancy between their spoken and sung accent, or have they have been instructed to change their accent when they sing? Changing an accent can change the way a song is sung, and may unearth unforeseen technical vocal challenges. Join Jennifer Rhodes as she unpicks the latest research on this topic!