Short Courses & Events / Archive

Compassion Focused Training (CFT) for Singers, Singing Teachers and Other Music Professionals (2-week course)

Monday 4th December 2023, 5:00 PM - Monday 11th December 2023 7:00 PM (London Time)

During the 1980s & 90s, British psychologist Paul Gilbert & colleagues noticed a trend among certain patients who received Cognitive Behavioral Therapy (CBT) for depression: they would berate themselves for not improving in their treatment, despite having put effort into it. This astute observation led him to believe the likely reason for their lack of progress was the patients’ relentlessly self-critical thinking styles, which not only contributed to the maintenance of their depression, but likely to its origin as well.

What followed was the creation of a ground-breaking new therapy called Compassion Focused Therapy (CFT; Gilbert, 2000) that aimed to alleviate suffering by helping individuals with high shame and self-criticism to generate affiliative feelings towards themselves and a more compassionate inner voice. Rooted in evolutionary psychology, neuroscience, Buddhism, CBT, & social and developmental psychology, CFT asserts that the human brain is actually quite tricky to navigate, and thus, it’s not our fault we find ourselves struggling or suffering with it, or with life’s inevitable stressors.

Since its inception, CFT and related therapy models, e.g., Kristin Neff and Christopher Germer’s Mindful Self-Compassion (2013), have received increasing empirical support as treatments for anxiety, depression, and stress. In recent years, compassion-based programmes are starting to arise within non-clinical settings as well, e.g., with athletes, university students, and musicians, as tools for coping with similar psychological challenges. When used with athletes in particular, self-compassion is promoted as an alternative to 'mental toughness', as it helps to develop courage to face the inherent challenges within competitive sports. Although the role self-compassion plays in alleviating musicians’ psychological stressors is still under investigation, it is believed to benefit them in similar ways.

In this two-part course, you will learn about the theoretical underpinnings of Gilbert’s CFT model and Neff & Germer’s model of self-compassion. You’ll also learn about the three emotion regulation systems, and specifically how to increase activity in the Soothing & Contentment system, which is known to create feelings of safeness within oneself & with others, when activated. Specifically, you’ll learn compassion-enhancing strategies to help manage common sources of stress for musicians, i.e. dealing with mistakes & negative feedback of one’s work, audition setbacks, perfectionistic concerns of one’s performance, coping with burnout, career uncertainty & transitions, and others.

Part 1: Theoretical Models of Compassion & Common Stressors for Musicians

Monday 4th December 2023 (5-7pm UK time)

  • What the research on compassion teaches us
  • Gilbert’s CFT model and Neff & Germer’s model of self-compassion
  • Common types of problems facing musicians

Part 2: Enhancing Compassion with Techniques from CFT & Mindful Self-Compassion

Monday 11th December 2023 (5-7pm UK time)

  • Soothing breathing rhythm
  • Compassionate letter writing
  • Compassionate imagery
  • Other skills & benefits of enhanced compassion
🏷️ Price £50 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Dr David Juncos

David Juncos, PsyD, is a clinical psychologist, lecturer, performance coach, author, and music performance researcher based in Philadelphia, PA. He has 20 years of experience in treating a variety of clinical problems, including anxiety, mood, and substance use disorders.

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Simultaneous Singing and Dancing in Musical Theatre: A Cross-Disciplinary Evidence Review
Tuesday 17th February 2026
10:00 AM - 12:00 PM
(London Time)

Simultaneous Singing and Dancing in Musical Theatre: A Cross-Disciplinary Evidence Review

Debbie Winter
Dr Claire Thomas

This short course invites participants to critically examine the latest cross-disciplinary evidence on the physical and vocal demands of musical theatre performance. Drawing on a comprehensive literature review conducted by Debbie Winter and Claire Thomas (Voice Study Centre, University of Essex), the course explores research from voice science, dance medicine, sports science, and performance pedagogy.

It’s not a virus! Reconceptualizing and De-pathologizing Music Performance Anxiety
Thursday 19th February 2026
8:30 AM - 10:30 AM
(London Time)

It’s not a virus! Reconceptualizing and De-pathologizing Music Performance Anxiety

Rebecca Herman

Performance Anxiety is one of the most widespread and debilitating challenges facing musicians across all ages, nationalities and musical genres. Despite decades of research and the development of numerous interventions, we do not yet have an established way of supporting performers experiencing performance anxiety. Aimed at performers, teachers, researchers and students, this presentation will first summarise the current state of play in performance anxiety research, before exploring alternative ways to think about performance anxiety, drawing on new research outside of performance psychology...

Performing Pain: Vocal Health in Emotional Roles!
Thursday 19th February 2026
1:00 PM - 2:30 PM
Thursday 26th February 2026
1:00 PM - 2:30 PM
(London Time)

Performing Pain: Vocal Health in Emotional Roles!

Louisa Morgan

How connected are acted emotions to our real-life emotions? Are they expressed differently? Do they feel different in the body? This 2-part course with Louisa Morgan looks at the potential impact of acted emotion on vocal health, why we should consider it as voice practitioners, and how to care for our performers needing to work with it.