Creative Articulation
Thursday 30th October 2025, 5:00 PM - 7:00 PM (London Time)
Most of us have little idea of HOW we speak, or what to do to make speech more muscular. Join Annie Morrison (creator of the "Morrison Bone Prop") for this two hour session on Creative Articulation, a holistic and haptic approach to the touchings and feelings of the articulators in the dance of speech. Seeing articulation as a purely mechanical skill is detrimental to an actor's process: it is crucial to understand what language is doing on a biological level.
It’s your haptic senses that bring relish to spoken language. Articulation is not elocution or RP, it connects us to the earthiest part of our body, the bones: we feel speech. Neuroscientists call the tongue “the royal road to the brain”, it is after all the largest sense organ we have. This work is experiential - be prepared to ‘have a go’ and experiment.
Annie Morrison has worked for over 40 years as a voice and speech therapist and teacher. She studied voice in performance at the Central School of Speech and Drama and has taught in London drama schools including Rose Bruford, Guildhall School of Music & Drama and the Guildford School of Acting where she was Head of Voice. She teaches at RADA and is a visiting lecturer on several BA & MA Acting courses, as well as the MA Voice Studies course at the Royal Central School of Speech & Drama. She runs workshops on articulation and effective strategies for dysfunctional voice and speech issues for voice coaches and singing teachers in the UK and abroad.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Annie Morrison
Annie Morrison, creator of the Morrison Bone Prop, has worked for over 40 years as a voice and speech therapist and teacher. She studied voice in performance at the Central School of Speech and Drama and has taught in London drama schools including Rose Bruford, Guildhall School of Music & Drama and the Guildford School of Acting where she was Head of Voice. She teaches at RADA and is a visiting lecturer on several BA & MA Acting courses, as well as the MA Voice Studies course at the Royal Central School of Speech & Drama.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 3rd March 2026
5:00 PM - 7:00 PM
(London Time)
Sex differences in VOICE!
Dr Richard Lissemore
This two-hour workshop, led by performer, articulatory phoneticist, and voice physiologist, Dr. Richard Lissemore, will examine in detail the role that biological sex plays in the perception and pedagogy of singing voices. We'll consider how parameters such as anatomy, physiology, articulation, resonance, and radiated acoustics influence the perceptions and pedagogical decision-making of singing teachers.
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)
Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Louisa Morgan
This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)
Acting Emotion: Perspectives from the Masters
Louisa Morgan
Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.