Cross Training Musical Theatre Singers
Thursday 14th October 2021, 5:00 PM - 7:00 PM (London Time)
The vocal skill required for a successful career in musical theatre today is worlds removed from what was expected 30 years ago.
To be competitive and stay competitive, singers must have resilient flexible voices and the stamina to survive eight shows a week.
Cross-training voices in classical and vernacular techniques ensures a balanced instrument, adaptable to a multitude of styles.
This workshop will focus on playful ways to produce a wide range of vocal sounds, tracking speaking and singing as a single integrated arc.
Mary Saunders Barton
Mary Saunders Barton is a Penn State Professor Emeritus, currently residing in New York where she maintains a private professional voice studio. She is an adjunct...
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 19th October 2026
2:00 PM - 4:00 PM
Tuesday 20th October 2026
2:00 PM - 4:00 PM
(London Time)
Introduction to Vocal Acoustics for Spoken and Sung Voice
Gökçe Kutsal
This course is designed to break down the fundamentals of acoustics for both spoken and sung voice in a beginner-friendly, accessible way — so you can easily understand and apply these concepts to your teaching or research.
Tuesday 20th October 2026
5:00 PM - 7:00 PM
(London Time)
Practical Magic*: The Art & Science of Balancing Voices with SOVTs and VFEs
Melanie Tapson
Through live demonstrations, group practice, and peer coaching, you’ll learn how to teach SOVTs and VFEs with clarity and precision, integrate their principles to support vocal health, recovery, and stylistic flexibility and troubleshoot challenges and adapt exercises for individualized results.
Tuesday 27th October 2026
5:00 PM - 7:00 PM
(London Time)
Pop Pedagogy - an Overview
Kim Chandler
Some successful pop stars are celebrating career lengths of over sixty years, having been around since the 1950s when pop music emerged and diversified from jazz, so pop singing has been in existence sufficiently long now that, for teaching purposes, we can observe and analyse what type of approach serves it best.