Short Courses & Events / Archive

Digging Deeper into Mechanisms: How Exercises and Stretching Impact the Voice

Thursday 21st March 2024, 5:00 PM - 7:00 PM (London Time)

Deeply embedded into voice care, interventions such as stretching and exercise have a simple premise: stretch what’s tight and strengthen what’s weak. Tight and weak muscles are often seen as culprits needing remediation, but what goes into these interventions? Though pleasantly simple narratives, the mechanisms behind such interventions are nuanced and variable. This short course will guide the learner into a deeper understanding to provide a more straightforward path to client instruction.

Paralleling problems in more general research, outcome-based studies often fail to thoroughly examine the traditional underlying explanations for why a problem exists and how change occurs via the intervention. Those mechanisms are the gap between a problem and a successful outcome. Witness the myriad of approaches claiming success with various aspects of voice. Based on a general complaint, each method tends to claim problems (tightness, weakness, poor form or technique, sub-optimal posture, incorrect breathing, etc.) and set forth to devise a study to remediate the problem. When the problem is helped, the work is seen as a success, but the logic used often falls into post hoc fallacy issues.

Fully vetted and accepted mechanisms of action for voice interventions are rare. How an intervention works is nuanced and can be viewed from various perspectives. Each model tends to be not wrong but also not entirely correct. Does this sound confusing? Join me as we explore this uncertainty and clear a path forward.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Walt Fritz

Walt Fritz, PT, has evolved traditionally taught tissue-based approaches into a unique interpretation of manual therapy. This approach advances views of causation and impact from historical tissue-specific models into a multifactorial narrative, leaning heavily on biopsychosocial influences.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Performing Pain: Vocal Health in Emotional Roles!
Thursday 19th February 2026
1:00 PM - 2:30 PM
Thursday 26th February 2026
1:00 PM - 2:30 PM
(London Time)

Performing Pain: Vocal Health in Emotional Roles!

Louisa Morgan

How connected are acted emotions to our real-life emotions? Are they expressed differently? Do they feel different in the body? This 2-part course with Louisa Morgan looks at the potential impact of acted emotion on vocal health, why we should consider it as voice practitioners, and how to care for our performers needing to work with it.

Incorporating CBT principles within vocal health and voice care
Tuesday 24th February 2026
5:00 PM - 7:00 PM
(London Time)

Incorporating CBT principles within vocal health and voice care

Dr Luke Aldridge-Waddon

Join Dr Luke Waddon as he introduces the principles and techniques within cognitive-behavioural therapy (CBT) in relation to the voice and voice care. He will discuss psychological factors relevant to the development and maintenance of voice disorders and how these might be approached from a cognitive-behavioural perspective. He will describe theoretical concepts and therapeutic components often used within CBT and consider how these might be applied when working with voice users.

Sex differences in VOICE!
Tuesday 3rd March 2026
5:00 PM - 7:00 PM
(London Time)

Sex differences in VOICE!

Dr Richard Lissemore

This two-hour workshop, led by performer, articulatory phoneticist, and voice physiologist, Dr. Richard Lissemore, will examine in detail the role that biological sex plays in the perception and pedagogy of singing voices. We'll consider how parameters such as anatomy, physiology, articulation, resonance, and radiated acoustics influence the perceptions and pedagogical decision-making of singing teachers.