Dynamic Coordination: Posture through an Alexander Technique Lens
Tuesday 11th July 2023, 1:00 PM - 2:00 PM (London Time)
This Lunchtime Lecture will explore common postural models presented in voice pedagogy as well as emerging scientific models through the lens of the Alexander Technique.
Principles of the Technique will then be introduced to frame the exploration of practical procedures focusing on posture and the voice.
Michele Capalbo
Michele Capalbo is a Canadian singer, voice teacher and adjudicator currently based in the United States. Specialising in the music of Verdi and Puccini, she has performed internationally for over 20 years in principle operatic roles...
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Thursday 25th April 2024
12:00 PM - 1:00 PM
(London Time)
Queering Country Music: Conceptualising LGBTQIA+ Voices in a Contested Genre
James Barker
This course considers the way songs by LGBTQIA+ artists navigate country music aesthetics and definitions of genre, looking at the voice as a medium for articulating and reworking ideas of authenticity and genre identity. The presentation explores particular songs in depth...
Tuesday 30th April 2024
12:00 PM - 2:00 PM
(London Time)
Mental Health Informed Practitioner Certificate with Dr George Musgrave (4 week course)
Dr George Musgrave
Join Dr George Musgrave – co-author of Can Music Make You Sick? Measuring the Price of Musical Ambition (2020), an Amazon Number 1 Bestseller in the Sociology of Work – for a deep dive into the social and psychological experiences of musical career creation and development, as well as the effects of the music industry and its practices on mental health.
Tuesday 30th April 2024
5:00 PM - 6:00 PM
(London Time)
The Gospel Choir Sound: A Practical Pedagogical Exploration
Jaron M. LeGrair
'The Gospel Choir Sound: A Practical Pedagogical Exploration' is a course that is meant to help all types of singers and voices understand some of the essential methods behind the gospel choir sound in the African-American church and to hopefully have the ability to access and make use of these tactics and techniques in a tangible and efficient way.