Growl, Scream, Distortion: What MRI and High-Speed Imaging Reveal About Rough Vocals!
Thursday 5th February 2026, 3:00 PM - 5:00 PM (London Time)
The terminology used to describe rough vocal qualities remains far less standardized and considerably less researched than the concepts established in Western classical singing pedagogy. Terms such as vocal fry, fry scream, grunt, death growl, distortion, rattle, and undertone are widely used in contemporary and extreme vocal styles, yet their underlying physiological mechanisms are often inconsistently defined in both pedagogical and scientific contexts.
From an acoustic and voice-physiological perspective, the voice production mechanisms grouped under the umbrella term rough vocals represent a particularly fascinating field of study. Many of these vocal qualities involve double oscillation mechanisms, in which the true vocal folds oscillate in interaction with additional anatomical structures of the vocal tract, such as the ventricular folds or aryepiglottic tissues. These interactions result in complex vibratory patterns that strongly influence perceived sound quality.
This course examines a range of rough vocal mechanisms from a scientific yet practice-oriented perspective. The analysis is based on data from high-speed videoendoscopy as well as three-dimensional vocal tract configurations obtained through magnetic resonance imaging (MRI). By integrating physiological imaging with acoustic analysis, the course provides insight into how different rough vocal qualities are produced and how they differ in terms of vibratory behavior, laryngeal configuration, and vocal tract shaping.
Based on these data, a functional classification of rough vocal mechanisms into distinct groups is proposed. Particular emphasis is placed on distinguishing mechanisms that allow for efficient and sustainable voice production from those that may increase vocal load if applied without appropriate technical control.
Throughout the course, scientific findings are directly linked to vocal pedagogy and clinical practice, supporting informed artistic expression while promoting long-term vocal health.
Dr Louisa Traser
Dr. Louisa Traser is a senior consultant, voice scientist, and trained singer at the Freiburg Institute for Musicians’ Medicine, University Medical Center Freiburg. Her clinical work focuses on phoniatrics, with particular expertise in the care of professional voice users and phonosurgery.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 3rd March 2026
5:00 PM - 7:00 PM
(London Time)
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Dr Richard Lissemore
This two-hour workshop, led by performer, articulatory phoneticist, and voice physiologist, Dr. Richard Lissemore, will examine in detail the role that biological sex plays in the perception and pedagogy of singing voices. We'll consider how parameters such as anatomy, physiology, articulation, resonance, and radiated acoustics influence the perceptions and pedagogical decision-making of singing teachers.
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)
Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Louisa Morgan
This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
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Acting Emotion: Perspectives from the Masters
Louisa Morgan
Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.