Implementing VoceVista in the Pedagogy Classroom!
Thursday 31st July 2025, 5:00 PM - 7:00 PM (London Time)
We will explore integrating VoceVista, a leading spectrograph software, into the vocal pedagogy classroom. Designed for voice teachers, vocal coaches, and pedagogy students, this course explores how real-time visual feedback can enhance traditional methods of voice instruction. By incorporating VoceVista into your teaching toolkit, you will be empowered to provide objective, evidence-based analysis of vocal production alongside your perceptual and experiential expertise.
VoceVista enables users to visualize sound through spectrograms, pitch traces, and formant overlays, allowing both teacher and student to "see" aspects of the voice that are otherwise intangible—such as resonance strategies, onset clarity, vibrato stability, and register transitions.
This course emphasizes practical application. We will explore how VoceVista can inform healthy vocal technique and demystify complex vocal concepts for singers at all levels. Whether teaching in private studios, academic settings, or group classes, you'll discover ways to tailor the software to fit your teaching style and student needs.
By the end of the course, you’ll hopefully feel more familiar with how VoceVista works and consider ways it might fit into your teaching—not as a replacement for the ear, but as a possible tool to help support student learning, spark engagement, and offer a visual bridge between the technical and artistic sides of singing.
Are you ready to bring the power of visualization into your voice teaching?
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr Christopher Besch
Bass-baritone Christopher Besch is proud to have performed in eight countries on three continents with such conductors as Lorin Maazel, Leonard Slatkin, and Jeffrey Thomas.
His primary pedagogical interests include the acoustics and psychoacoustics of the voice with a particular bent towards how hearing influences the perception of the sung voice.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 13th January 2026
5:00 PM - 6:30 PM
Tuesday 20th January 2026
5:00 PM - 6:30 PM
Tuesday 27th January 2026
5:00 PM - 6:30 PM
Tuesday 3rd February 2026
5:00 PM - 6:30 PM
Tuesday 10th February 2026
5:00 PM - 6:30 PM
(London Time)
Introduction to Postgraduate Academic Skills - Join Live!
Debbie Winter
Are you ready to elevate your academic journey? Hosted by our very own Debbie Winter, join our comprehensive Introduction to Academic Skills course, designed to equip you with essential tools and strategies for success in higher education. Perfect for bridging the gap between undergraduate and postgraduate study, this course offers a pathway to our full MA for students without an existing degree. We offer both live, interactive sessions and standalone, pre-recorded content.
Thursday 15th January 2026
5:00 PM - 7:00 PM
Thursday 22nd January 2026
5:00 PM - 7:00 PM
Thursday 29th January 2026
5:00 PM - 7:00 PM
Thursday 5th February 2026
5:00 PM - 7:00 PM
Thursday 12th February 2026
5:00 PM - 7:00 PM
(London Time)
Trauma-Sensitive Voice Professional Certificate with Dr Elisa Monti
Dr Elisa Monti
Updated for 2026, this five-part certificate course is designed to help participants learn the theory and practice of trauma-sensitive approaches. The concepts and activities included are tailored to meet the needs of voice specialists who want to acquire more specific tools to navigate the space with their students and colleagues.
Thursday 5th February 2026
1:00 PM - 2:30 PM
Thursday 5th February 2026
1:00 PM - 2:30 PM
(London Time)
The Emotional Voice: Past Theories, Present Practice
Louisa Morgan
From the Greek actor Polus of Aegina carrying an urn of his own dead son’s ashes onstage in Sophocles’ Electra (Konjin, 1997) to the so-called American Method acting of Hollywood in the 20th Century, how performers work with and express emotion has been a vital part of their craft and how they are perceived by audiences. Join Louisa Morgan for this two-part course, where she considers: How have theories of emotion developed over time? How could understanding theories of emotion help voice practitioners in their coaching of singers and speakers?