Short Courses & Events / Archive

Improving Lyric Italian Diction for Classical Singers

Thursday 18th December 2025, 3:00 PM - 5:00 PM (London Time)

This course offers an in-depth exploration of the most frequent pronunciation errors made by classical singers in Italian lyric diction. Designed for both emerging and advanced singers, the course provides a structured and practical approach to mastering Italian pronunciation as used in opera, oratorio, and art song. The course’s principles and exercises are universally applicable to non-native Italian speakers striving for accuracy, elegance, and expressive nuance in performance.

Drawing on my research into common diction pitfalls, participants will engage with the ten most frequent errors identified through qualitative study, professional observation, and collaboration with Italian language experts. These include the mispronunciation of double and single consonants, aspirated “t” and “q” sounds, incorrect formation of l and ʎ, inconsistent use of the International Phonetic Alphabet (IPA), and confusion between open and closed vowels (e/ɛ and o/ɔ). The course will also unpack the finer linguistic principles of raddoppiamento sintattico, assimilation, and syllabic stress, helping singers understand how these affect meaning, rhythm, and legato phrasing in Italian text setting.

Through guided IPA training, listening exercises, and coached performance practice, students will learn to diagnose and correct diction errors typical of English and other language backgrounds. Each session integrates live vocal examples drawn from operatic and song repertoire—including works by Mozart, Verdi, Puccini, Caldara, and Caccini—linking theory directly to performance.

By the end of the course, participants will:

  • Demonstrate accurate pronunciation of Italian vowels and consonants in sung contexts.
  • Apply IPA as a reliable tool for analysing and correcting diction.
  • Understand the relationship between phonetics, musical phrasing, and textual meaning.

Ultimately, this course equips singers to approach Italian repertoire with linguistic confidence and artistic authenticity!

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Professor Conroy Cupido

Prof Conroy Cupido completed a BMus at Stellenbosch University, an MMus and Artist Certificate at Southern Methodist University (Dallas, Texas), and became the first South African to earn a Doctorate in Vocal Performance from the University of North Texas (2009). In 2024, he obtained an MA in Positive Psychology from North-West University with distinction.

CPD Course Logo

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Sex differences in VOICE!
Tuesday 3rd March 2026
5:00 PM - 7:00 PM
(London Time)

Sex differences in VOICE!

Dr Richard Lissemore

This two-hour workshop, led by performer, articulatory phoneticist, and voice physiologist, Dr. Richard Lissemore, will examine in detail the role that biological sex plays in the perception and pedagogy of singing voices. We'll consider how parameters such as anatomy, physiology, articulation, resonance, and radiated acoustics influence the perceptions and pedagogical decision-making of singing teachers.

Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)

Learn to Coach RP and SSBE – a Certificate in Accent Coaching

Louisa Morgan

This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.

Acting Emotion: Perspectives from the Masters
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)

Acting Emotion: Perspectives from the Masters

Louisa Morgan

Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.