Improving Lyric Italian Diction for Classical Singers
Thursday 18th December 2025, 3:00 PM - 5:00 PM (London Time)
This course offers an in-depth exploration of the most frequent pronunciation errors made by classical singers in Italian lyric diction. Designed for both emerging and advanced singers, the course provides a structured and practical approach to mastering Italian pronunciation as used in opera, oratorio, and art song. The course’s principles and exercises are universally applicable to non-native Italian speakers striving for accuracy, elegance, and expressive nuance in performance.
Drawing on my research into common diction pitfalls, participants will engage with the ten most frequent errors identified through qualitative study, professional observation, and collaboration with Italian language experts. These include the mispronunciation of double and single consonants, aspirated “t” and “q” sounds, incorrect formation of l and ʎ, inconsistent use of the International Phonetic Alphabet (IPA), and confusion between open and closed vowels (e/ɛ and o/ɔ). The course will also unpack the finer linguistic principles of raddoppiamento sintattico, assimilation, and syllabic stress, helping singers understand how these affect meaning, rhythm, and legato phrasing in Italian text setting.
Through guided IPA training, listening exercises, and coached performance practice, students will learn to diagnose and correct diction errors typical of English and other language backgrounds. Each session integrates live vocal examples drawn from operatic and song repertoire—including works by Mozart, Verdi, Puccini, Caldara, and Caccini—linking theory directly to performance.
By the end of the course, participants will:
- Demonstrate accurate pronunciation of Italian vowels and consonants in sung contexts.
- Apply IPA as a reliable tool for analysing and correcting diction.
- Understand the relationship between phonetics, musical phrasing, and textual meaning.
Ultimately, this course equips singers to approach Italian repertoire with linguistic confidence and artistic authenticity!
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Professor Conroy Cupido
Prof Conroy Cupido completed a BMus at Stellenbosch University, an MMus and Artist Certificate at Southern Methodist University (Dallas, Texas), and became the first South African to earn a Doctorate in Vocal Performance from the University of North Texas (2009). In 2024, he obtained an MA in Positive Psychology from North-West University with distinction.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)
Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Louisa Morgan
This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
Wednesday 25th March 2026
5:00 PM - 7:00 PM
(London Time)
Mastering the Art of "Marking": Vocal Longevity for the Modern Singer
Jacob Wright
Don’t just save your voice—optimize it! Join Jacob Wright as he explores marking technique in singing, a vocal conservation strategy used by singers during rehearsals and extended performance periods. Marking involves singing at reduced vocal intensity, altered pitch, or modified vocal quality to preserve vocal health while maintaining musical and dramatic engagement. Participants will gain practical tools for implementing marking in their own practice, teaching, or clinical work, supported by current research and voice science principles!
Friday 27th March 2026
1:00 PM - 3:00 PM
(London Time)
Muscle Tension Dysphonia in the Singing Voice!
Dr Claire Thomas
A specialist course for singing teachers and voice professionals! Designed specifically for those working with singers, this in-depth course with Dr Claire Thomas explores Muscle Tension Dysphonia (MTD) through the lens of the singing voice - bridging clinical research and studio practice.