Introduction to gender-affirming voice coaching
Tuesday 21st January 2025, 12:00 PM - 2:00 PM (London Time)
This introductory short course is aimed at those who work in voice coaching and/or therapy who wish to develop some basic knowledge and skills in working with trans and gender-diverse people to support voice and communication exploration. The course outline has been co-created with an expert by experience and it is anticipated that there will be a short contribution during the session. We will begin with the cultural context and how vocal coaches, voice teachers and voice and communication therapists can build a gender-affirming practice.
We will explore broader aspects of vocal identity and expression before considering:
- The vocal parameters within power, source and filter, for example pitch, resonance, vocal weight, including a brief look at apps and measuring pitch.
- The principles of gender-affirming voice exploration, for example motor learning, contrastive practice, hierarchy and feedback, play.
The course will offer a blend of theoretical discussion and practical demonstration and participation, encouraging participants to explore their own voices within the context of gender, identity and behaviour change.
Finally, we will broaden out again to explore transferring vocal behaviours into social interactions, and the challenge of sustaining change in more complex communication settings, such as the telephone and assertive skills. We will include the value of both individual and group work, and using improv and role-playing methodology.
We will look at some recommended resources including online sites.
Suggested course pre-reading:
Jackson Hearns L. 2018 One Weird Trick: A User's Guide to Transgender Voice. The Voice Lab Inc.
Mills M. & Pert S. 2024 Working with Trans Voice: A Guide to Support and Inspire New, Developing and Established Practitioners. Routledge.
Mills M. & Stoneham G. 2021. Voice and Communication Therapy for trans and Non-Binary People: Sharing the Clinical Space. Jessica Kingsley.
Mills M. & Stoneham G. 2017 The Voice Book for Trans & Non Binary People. Jessica Kingsley.
Gillie Stoneham
Gillie has many years experience as a lecturer and specialist practitioner in voice & communication and counselling skills. She began practicing in the field of gender affirming voice and communication in 2006 and established a voice service at the West of England Gender Identity Clinic in 2021 as Consultant SLT.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 6th July 2026
5:00 PM - 7:00 PM
Friday 10th July 2026
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Monday 13th July 2026
5:00 PM - 7:00 PM
Friday 17th July 2026
5:00 PM - 7:00 PM
Monday 20th July 2026
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Friday 24th July 2026
5:00 PM - 7:00 PM
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This 30-hour Vocology Cohort Intensive provides a comprehensive overview of basic vocal anatomy, physiology, and theories of voice production & perception, fundamentals of vocal health, pathology, evaluation, performance, and habilitation of the speaking and singing voice, and a survey of research, resources, and professional opportunities. Each week, advanced students contribute to cohort-centred learning with additional resources, discussion facilitation, and critical analysis. The course assessment will also be useful for those who wish to prepare for the PAVA recognised designation.
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)
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Robert Edwin
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!
Thursday 30th July 2026
2:00 PM - 4:00 PM
(London Time)
A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching
William Leigh Knight
Only around 3% of the population fall into the category of amusia while over 17% consider themselves ‘tone-deaf’; and this does not account for non-singers, a wider group sometimes described as ‘tuneless’. So, who are ‘the voiceless’? Join William Leigh-Knight as he unpicks this question and considers the purpose of training a voice, when it is considered such a natural human attribute, and he expands on the principles that drive his own practice, which may be summarised as ‘person-centeredness’