Jazz Pedagogy - An overview of the main elements of teaching jazz voice
Tuesday 28th January 2025, 5:00 PM - 7:00 PM (London Time)
In this short course, jazz vocalist Claire Martin OBE will talk about, and demonstrate, how to approach the main elements needed to teach jazz voice. The themes covered will be; vocal tone, time feel and understanding the fundamental basics of jazz harmony. Claire will discuss how to approach repertoire with a ‘jazz singer’s ear’ and how to put an individual stamp on songs from the Great American Songbook and beyond.
The course will also look at vocal range and where to place the voice when approaching this genre. Discussion around the idea of ‘speech quality’ singing will be encouraged. Phrasing is an essential part of singing jazz and Claire will demonstrate ideas around late phrasing, phrasing across the bar line, adding vocal licks and embellishments and touching on the idea of adding scat singing into the mix!
Claire Martin OBE
Claire Martin OBE has established herself as a tour de force on the UK jazz scene, gaining many awards including winning the British Jazz Awards eight times during her career which spans over three decades. In 2018, she was the proud recipient of the BASCA Gold Badge Award for her contribution to jazz.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)
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Louisa Morgan
This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)
Acting Emotion: Perspectives from the Masters
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Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.
Tuesday 10th March 2026
3:00 PM - 5:00 PM
(London Time)
Living truthfully in the present moment: An introduction to the Meisner Technique!
Abigail Sugden
Sanford Meisner believed that acting is living truthfully under imaginary circumstances. Rooted in behavioural aspects of acting practice, the Meisner Technique is often associated with encouraging actors to live truthfully in the present moment. Aimed at those working within the field of acting, this 2-hour session with Abigail Sugden will focus on the work of Sanford Meisner, introducing the core principles of his technique and discussing the possible benefits to performers.