Mastering the Art of "Marking": Vocal Longevity for the Modern Singer
Wednesday 25th March 2026, 5:00 PM - 7:00 PM (London Time)
This short course explores marking technique in singing—a vocal conservation strategy used by singers during rehearsals and extended performance periods. Marking involves singing at reduced vocal intensity, altered pitch, or modified vocal quality to preserve vocal health while maintaining musical and dramatic engagement.
The course begins with the historical context of marking, tracing its evolution from informal practice among opera singers to its current recognition as an essential vocal health strategy across multiple performance genres. The concept of marking extends beyond singing—in ballet, dancers use marking to perform attenuated versions of choreography during rehearsal, and research has demonstrated that this practice confers cognitive benefits beyond simply conserving physical energy. Additionally, in the military, the term "marking time" similarly refers to marching in place without forward movement—maintaining rhythm and engagement while conserving effort.
Current knowledge about marking in singing is explored through recent survey research investigating marking practices in clinical, studio, and performance settings. This investigation represents one of the first formal examinations of how singers, voice teachers, and voice care professionals understand and implement marking strategies. The course reviews findings on when singers choose to mark, what vocal parameters they modify, and how marking decisions are influenced by rehearsal context, performance demands, and vocal health status.
Principles of voice science underlying effective marking are examined, drawing on research comparing operatic, Broadway, and contemporary commercial music styles, we analyze how vocal tract configuration, subglottal pressure, glottal closure patterns, and resonance strategies differ between full voice and marking. Participants learn how these physiological adjustments can be strategically modified to reduce vocal load while maintaining artistic integrity.
Practical marking strategies are presented for diverse singing styles, from Western classical to contemporary commercial music. The course addresses style-specific considerations including how to maintain appropriate vocal tract resonance, preserve stylistic authenticity, and communicate musical intentions while marking. Recommendations are provided for determining when marking is appropriate, how to communicate marking intentions to collaborators, and how to transition effectively between marking and full voice.
Participants will gain practical tools for implementing marking in their own practice, teaching, or clinical work, supported by current research and voice science principles.
Jacob Wright
Jacob Wright, M.M., M.A., CCC-SLP, is a voice and upper airway–specialized speech-language pathologist at the UAB Voice Center, where he works in close collaboration with laryngologists and interdisciplinary partners to assess and treat complex voice and upper airway disorders. He holds multiple advanced degrees in singing and vocal pedagogy, bringing a deep understanding of vocal function, performance demands, and training methodology to his clinical work.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 28th September 2026
1:00 PM - 2:30 PM
Tuesday 29th September 2026
1:00 PM - 2:30 PM
Wednesday 30th September 2026
1:00 PM - 2:30 PM
Thursday 1st October 2026
1:00 PM - 2:30 PM
Friday 2nd October 2026
1:00 PM - 2:30 PM
(London Time)
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This five-day course is designed for professional coaches who want to extend their practice into executive coaching, leadership communication, and professional corporate voice work.
Friday 2nd October 2026
12:30 PM - 2:30 PM
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Dr Claire Thomas
Join Dr Claire Thomas for a practical 2-hour workshop for singing teachers and voice practitioners! Building upon the previous course to create a practical teacher pathway in order to recognise what is happening, reduce unnecessary effort, transfer coordination into singing, manage load and recovery and know when to refer back. Not one size fits all, but a guide to making informed choices with voice users. Based on a five-year investigative project, the course equips singing teachers with the knowledge and practical tools needed to confidently understand MTD, and support singers experiencing MTD beyond their initial therapeutic input.
Tuesday 6th October 2026
5:00 PM - 7:00 PM
(London Time)
Inspired Not Bound: The Promise of Science-Informed Voice Pedagogy
Lynn Helding
Lynn Helding defines Science-Informed Voice Pedagogy in her upcoming book Practicing Science-Informed Voice Training as, “A type of hybrid singing voice pedagogy that unites science and art by researching current voice science, translating it, combining it with extant historic voice knowledge, and transmitting it to singers.” Join Lynn Helding as she seeks to understand human behaviour of both sides of the “Science versus Art” debate via research from the fields of cognitive science and behavioural science, focussing particularly on lessons learned due to several societal shifts.