Mastering the Art of "Marking": Vocal Longevity for the Modern Singer
Wednesday 25th March 2026, 5:00 PM - 7:00 PM (London Time)
This short course explores marking technique in singing—a vocal conservation strategy used by singers during rehearsals and extended performance periods. Marking involves singing at reduced vocal intensity, altered pitch, or modified vocal quality to preserve vocal health while maintaining musical and dramatic engagement.
The course begins with the historical context of marking, tracing its evolution from informal practice among opera singers to its current recognition as an essential vocal health strategy across multiple performance genres. The concept of marking extends beyond singing—in ballet, dancers use marking to perform attenuated versions of choreography during rehearsal, and research has demonstrated that this practice confers cognitive benefits beyond simply conserving physical energy. Additionally, in the military, the term "marking time" similarly refers to marching in place without forward movement—maintaining rhythm and engagement while conserving effort.
Current knowledge about marking in singing is explored through recent survey research investigating marking practices in clinical, studio, and performance settings. This investigation represents one of the first formal examinations of how singers, voice teachers, and voice care professionals understand and implement marking strategies. The course reviews findings on when singers choose to mark, what vocal parameters they modify, and how marking decisions are influenced by rehearsal context, performance demands, and vocal health status.
Principles of voice science underlying effective marking are examined, drawing on research comparing operatic, Broadway, and contemporary commercial music styles, we analyze how vocal tract configuration, subglottal pressure, glottal closure patterns, and resonance strategies differ between full voice and marking. Participants learn how these physiological adjustments can be strategically modified to reduce vocal load while maintaining artistic integrity.
Practical marking strategies are presented for diverse singing styles, from Western classical to contemporary commercial music. The course addresses style-specific considerations including how to maintain appropriate vocal tract resonance, preserve stylistic authenticity, and communicate musical intentions while marking. Recommendations are provided for determining when marking is appropriate, how to communicate marking intentions to collaborators, and how to transition effectively between marking and full voice.
Participants will gain practical tools for implementing marking in their own practice, teaching, or clinical work, supported by current research and voice science principles.
Jacob Wright
Jacob Wright, M.M., M.A., CCC-SLP, is a voice and upper airway–specialized speech-language pathologist at the UAB Voice Center, where he works in close collaboration with laryngologists and interdisciplinary partners to assess and treat complex voice and upper airway disorders. He holds multiple advanced degrees in singing and vocal pedagogy, bringing a deep understanding of vocal function, performance demands, and training methodology to his clinical work.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 20th April 2026
12:00 PM - 1:30 PM
Tuesday 21st April 2026
12:00 PM - 1:30 PM
Wednesday 22nd April 2026
12:00 PM - 1:30 PM
Thursday 23rd April 2026
12:00 PM - 1:30 PM
(London Time)
Certificate in Acting Approaches for Singing Teachers
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Are you a singing teacher looking to elevate your students’ performance? This 4-part course is perfect for those who want to help their singers connect deeply with the character and the story behind the song. Many singing teachers have lots of brilliant ideas about coaching vocal performance but often don’t have a background in acting. Learning more about acting techniques can build structure into your performance-focused lessons and add depth to the song. Gain practical tools and techniques that you can apply to your teaching.
Tuesday 21st April 2026
5:00 PM - 7:00 PM
(London Time)
Understanding the How and Why of Vocal Dosimetry in Musical Theatre and Contemporary Singing
Dr Ana Flavia Zuim
Vocal dosimetry has emerged as an important tool for understanding the physiological demands placed on singers in contemporary musical theatre and commercial singing styles. Join Ana Flavia Zuim as she explores the principles behind vocal dosimetry and how objective measurements of vocal use such as time dose, cycle dose, distance dose, and sound pressure level can help quantify the vocal load experienced by performers during rehearsals and performances.
Thursday 23rd April 2026
2:00 PM - 4:00 PM
Friday 24th April 2026
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Unlock the transformative power of music with our two-part lecture series that delves deep into the fascinating intersection of neuroscience, music education, and music therapy.