Laban-Malmgren technique as a singing pedagogical tool
Tuesday 25th March 2025, 5:00 PM - 7:00 PM (London Time)
The Laban Malmgren Technique (LMT) is a method used to train actors. The ideas on which the technique is based are a coalescence of ideas derived from the works of Rudolf Laban, William Carpenter, Yat Malmgren, Konstantin Stanislavski and Carl Jung. In this lecture and interactive workshop, we will explore how the Laban-Malmgren technique can be translated and transferred for use in voice pedagogy and specifically, for singing. In order to be a versatile and proficient singer who has the ability to sing expressively, it is important to develop both the technical standard and the musicality of the singer. In what way may the Laban-Malmgren technique be beneficial in voice pedagogy? What do we hear in terms of phonation, phrasing and musical expression when tools from the LMT are used? How does the sensation, awareness and proprioception of the singer change?
In this workshop we will investigate how movements in the three-dimensional planes – linked to different vowel sounds – can affect phonation and resonance. In practical exercises, we will work with the various movement factors; weight, space, time and flow – which together make up the eight different working actions – and explore in what way they may affect singing technique and musical expression. Furthermore, we will look at how LMT's tools; externalized drives, mental factors, inner attitudes, degrees of intensity and shadow moves can affect vocal technique and musical expression.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr. Bo Rosenkull
Dr. Bo Rosenkull is a Professor of Singing and Singing Pedagogy at the Royal Academy of Music (KMH) in Stockholm. He is also a Professor of Dramatic Performance with a specialization in Music-Dramatic Singing at the Academy of Music and Drama (HSM) at Gothenburg University.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 18th August 2026
3:00 PM - 5:00 PM
Tuesday 25th August 2026
3:00 PM - 5:00 PM
Tuesday 1st September 2026
3:00 PM - 5:00 PM
Tuesday 8th September 2026
3:00 PM - 5:00 PM
Tuesday 15th September 2026
3:00 PM - 5:00 PM
Tuesday 22nd September 2026
3:00 PM - 5:00 PM
(London Time)
Musical Theatre Vocal Pedagogy Certificate
Kevin Wilson
Join Kevin Wilson for this six-part certificated course, offering an in‑depth, practical exploration of contemporary voice teaching for musical theatre. Across six focused classes, participants develop a systematic approach to vocal technique, diagnosis, and repertoire selection that reflects the stylistic, physical, and emotional demands of the genre. The curriculum integrates vocal science, embodied voice work, registration theory, and stylistic awareness across the five major sub‑genres of musical theatre.
Thursday 20th August 2026
5:00 PM - 7:00 PM
(London Time)
AI Assisted Voice Training and Business Development
John Henny
Join John Henny as he builds on the foundations of AI for voice educators by focusing on practical applications for running and growing a teaching studio. Designed specifically for voice teachers, the session shows how AI can support studio operations, content creation, research, and business development, with one foundational skill at its core: training AI in your own teaching voice, pedagogy, and communication style.
Wednesday 26th August 2026
5:00 PM - 7:00 PM
(London Time)
The Vocal Tract and Singing: A Research Overview!
Dr Brad Story
Fine control of the vocal tract shape is important for producing acoustic characteristics that may be targeted in singing. Join Dr Brad Story as he focuses on how the vocal tract shape can be tuned (i.e. modified) in both large and subtle ways to enhance the signal radiated from a singer to an audience. The session will include the vocal tract shape contributions to the ‘singing formant’, enhancement of vibrato, and harmonic/formant alignment.