Performing Pain: Vocal Health in Emotional Roles!
Thursday 19th February 2026, 1:00 PM - 2:30 PM (London Time)
Thursday 26th February 2026, 1:00 PM - 2:30 PM (London Time)
What is the link between acted emotion and vocal health in speech and singing?
How connected are acted emotions to our real-life emotions? Are they expressed differently? Do they feel different in the body? The intensity of internalised emotion can be a worry for some performers. In real emotion, sympathetic arousal can increase cardiovascular circulation (the sensation of the heart racing), impact respiration (short, shallow breaths) and increase muscular activity as a preparation to flee, brace, or fight (which can cause pitch to rise, vocal folds to become pressed, and the jaw to become locked). What happens when we experience this while singing or speaking for performance? Are there times when performed emotion can start to present physiologically as real emotion?
This 2-part course looks at the potential impact of acted emotion on vocal health, why we should consider it as voice practitioners, and how to care for our performers needing to work with it.
Who is it for?
This course is for voice practitioners (speech or singing) who work with performers needing to use acted emotion. The focus will primarily surround negative emotion in the acting voice and the musical theatre voice.
Session 1: What happens in the body when we experience real and acted emotion?
We will explore the physiological responses to real life emotion and look at research that has compared this to acted emotion. We will discuss the boundaries between real and acted emotion and discuss how this plays out in our work.
Session 2: How to prepare for it
In the second session we will move to focusing on practical strategies for preparing for emotional work from a vocal health (rather than performative) perspective and how to care for the voice when heightened emotional performance causes difficulties.
🏷️ Price £50 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Louisa Morgan
Louisa Morgan is a lecturer, voice teacher and researcher, with a special focus on spoken and sung emotion. Louisa lectures with Voice Study Centre (spoken voice lead) and teaches Musical Theatre students on the MA/MFA course at the Guildford School of Acting (GSA).
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)
Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Louisa Morgan
This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
Tuesday 17th March 2026
5:00 PM - 7:00 PM
(London Time)
The Use of Vibrato in Belt and Legit Styles of Singing in Professional Female Musical Theatre Performers
Dr. Alyssa Becker
Shaped by the popular music of its time, musical theatre blends storytelling with an ever-evolving range of vocal styles—from classical legit singing to jazz, hip-hop, and powerhouse belting. Despite its importance, much of what we understand about vibrato comes from laboratory-based studies that strip singing of its musical, stylistic, and performance context. Join Dr Alyssa Becker as she connects current research with real-world pedagogy, revealing how elite musical theatre performers strategically use vibrato to shape style and storytelling, and showing how these insights can be applied in the voice studio to train stylistic flexibility and control!
Wednesday 18th March 2026
5:00 PM - 7:00 PM
(London Time)
Facilitating Jaw Release Through Improved Habits of Stance and Alignment
Ruth Williams Hennessy
Are you a singer or speaker struggling with stubborn jaw tension that just won't quit? Even with elite training, the "stuck" jaw is often a symptom of a surprising culprit: your feet! Join Ruth Hennessy in this interactive workshop where she bridges the gap between podiatry and phonation, moving beyond "temporary fixes" to address the physical misalignments that bottleneck your performance.