Let´s Scream: Vocal Distortions Introduction
Thursday 18th July 2024, 5:00 PM - 7:00 PM (London Time)
Objectives:
The objective of this workshop is to know how to train and recognize different types of vocal distortions through sensory motor learning and by using different tools (Vocal Register, Vocal qualities, etc) from “Traditional Singing”
Content:
- Introduction: A quick introduction to the 3 fundamental types of vocal distortions (Glottal Distortion, Supraglottal Distortions and 2+ Sources) and their characteristics, with an auditive test (Interactive Experience)
- One on One Training: The participants will have the chance to work one on one with me on the different vocal distortions presented above. (Interactive Experience)
- Vocal mappings: A system for vocal mapping will be proposed using extreme metal songs as bases (Interactive Experience).
Nicolás Hormazábal
Nicolás Hormazábal is a teacher of Vocal Distortions and Extreme Vocals with an emphasis on Rock and Metal styles. A pioneer in teaching vocal distortions in Chile, he has trained many singers of the South American metal scene.
![CPD Course Logo](/media/nd4jtsjr/copy-of-award-scheme-300x250.png?width=200)
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
![That’s What He Said: Gender Inequity in Sound Perception Research](/media/udxheidu/kristen-murdaugh.png?width=700&quality=70)
![](/media/nd4jtsjr/copy-of-award-scheme-300x250.png?width=80)
Tuesday 30th July 2024
5:00 PM - 7:00 PM
(London Time)
That’s What He Said: Gender Inequity in Sound Perception Research
![](/media/udxheidu/kristen-murdaugh.png?height=50&quality=70)
Kristen Murdaugh
This course will detail the historical roots of gender inequity and bias in sound perception research, contrast that against present day research methods, and explore cutting-edge research that highlights the many roles that gender may play in sound perception, as well as in singing, and why those roles may impact research outcomes.
![Stretching for the singer: Moving beyond routines](/media/t0je4yrx/walt-fritz.png?width=700&quality=70)
![](/media/nd4jtsjr/copy-of-award-scheme-300x250.png?width=80)
Thursday 1st August 2024
5:00 PM - 7:00 PM
(London Time)
Stretching for the singer: Moving beyond routines
![](/media/1yxhpsre/walt-fritz.png?height=50&quality=70)
Walt Fritz
Exercises and stretches for the singer/performer can easily be found online, many of which seem to conflict with or contradict others. Does this dilemma make one model wrong or another model better? Join me as we unpack these and other issues.
![Habilitation for the Aging Avocational Singer](/media/ro4fcjl0/dann-mitton.png?width=700&quality=70)
![](/media/nd4jtsjr/copy-of-award-scheme-300x250.png?width=80)
Tuesday 6th August 2024
5:00 PM - 7:00 PM
(London Time)
Habilitation for the Aging Avocational Singer
![](/media/ro4fcjl0/dann-mitton.png?height=50&quality=70)
Dann Mitton
Join us to enhance your skills as a voice teacher and make a meaningful impact on the lives of aging singers. Equip yourself with the expertise to support their vocal journey and ensure they continue to enjoy singing with confidence and joy.