Meisner in Music: Merging Beautiful Singing with Emotional Acting
Thursday 29th February 2024, 5:00 PM - 7:00 PM (London Time)
As vocalists, we’re often taught one set of tools in voice lessons and another in acting classes but left on our own to put the two together. It can feel like we have to choose between beautiful singing and emotional acting, sacrificing the integrity of one to focus on the other.
Sanford Meisner, internationally-acclaimed acting teacher (and concert pianist!), spent over 60 years developing a technique that was simplifying, grounding, step-by-step, and allowed artists to stay present, trust themselves, and find freedom in performance. Meisner-trained actors include Academy Award winners Anthony Hopkins, Kathy Bates, Viola Davis and Sam Rockwell.
Even as the highly-effective technique proved to produce some of theatre and film’s finest performances, after Meisner’s death in 1997, the question still remained: 'How do we take this freeing technique that emphasises spoken text and working off a partner and apply it to music and often performing with no partner?'
20 years later, Meisner in Music began to seek to bridge this gap.
While Founder Jillian Paige originally created Meisner in Music to be an acting class technique specifically for singers, over its years of existence we found that it can help musicians with so much more, including performance anxiety, trust in technique, artistic agency, and presence and embodiment both on stage and in life.
In our workshop with the Voice Study Centre, participants will learn the foundational tool of the Meisner technique, 'repetition', and gain insight into additional aspects of the technique that are particularly useful for singers such as emotional preparation and 'the physical impediment'. Attendees can expect to leave with tools to apply to their own artistry and their students to help them get out of their heads, trust in their voices, and, most importantly, trust in themselves.
Jillian Paige
Jillian Paige is the Founder of Meisner in Music, the premier class to infuse the Meisner Technique with singing. Jillian received her Master’s in Music Theatre from Oklahoma City University, her Bachelor’s in Classical Vocal Performance from Belmont University, and studied Meisner under Terry Martin (a direct pupil of Meisner’s), and Ted Wold.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Thursday 20th November 2025
5:00 PM - 7:30 PM
(London Time)
The Art and Science of Accents and Dialects: Bridging Linguistics and Dialect Coaching
Louisa Morgan
The Voice Study Centre in partnership with the University of Essex are delighted to be hosting a free-to-attend symposium event on the 20th of November 2025: The Art and Science of Accents and Dialects: Bridging Linguistics and Dialect Coaching. The session will include a two-hour online roundtable panel discussion including time for a 30-minute Q&A from the audience at the end.
Tuesday 25th November 2025
2:00 PM - 4:00 PM
(London Time)
Singing In Regional Accents: Introducing a Strategy!
Jennifer Rhodes
Do you find your students lean towards a particular accent when they sing? Is there a discrepancy between their spoken and sung accent, or have they have been instructed to change their accent when they sing? Changing an accent can change the way a song is sung, and may unearth unforeseen technical vocal challenges. Join Jennifer Rhodes as she unpicks the latest research on this topic!
Wednesday 26th November 2025
5:00 PM - 9:00 PM
(London Time)
Voice Study Centre Online Symposium 2025
Join us for our very first online symposium, dedicated to bridging the gap between artistic training and athletic conditioning for performers! Bridging the gap between artistic training and athletic conditioning, a diverse group of speakers and researchers will be delivering presentations and papers, focusing on promoting longevity and health of musical theatre performers. This symposium aims to elevate awareness surrounding the unique demands of performers, define best practices for training and care, and bridge the gap between different disciplines.