Meisner in Music: Merging Beautiful Singing with Emotional Acting
Thursday 29th February 2024, 5:00 PM - 7:00 PM (London Time)
As vocalists, we’re often taught one set of tools in voice lessons and another in acting classes but left on our own to put the two together. It can feel like we have to choose between beautiful singing and emotional acting, sacrificing the integrity of one to focus on the other.
Sanford Meisner, internationally-acclaimed acting teacher (and concert pianist!), spent over 60 years developing a technique that was simplifying, grounding, step-by-step, and allowed artists to stay present, trust themselves, and find freedom in performance. Meisner-trained actors include Academy Award winners Anthony Hopkins, Kathy Bates, Viola Davis and Sam Rockwell.
Even as the highly-effective technique proved to produce some of theatre and film’s finest performances, after Meisner’s death in 1997, the question still remained: 'How do we take this freeing technique that emphasises spoken text and working off a partner and apply it to music and often performing with no partner?'
20 years later, Meisner in Music began to seek to bridge this gap.
While Founder Jillian Paige originally created Meisner in Music to be an acting class technique specifically for singers, over its years of existence we found that it can help musicians with so much more, including performance anxiety, trust in technique, artistic agency, and presence and embodiment both on stage and in life.
In our workshop with the Voice Study Centre, participants will learn the foundational tool of the Meisner technique, 'repetition', and gain insight into additional aspects of the technique that are particularly useful for singers such as emotional preparation and 'the physical impediment'. Attendees can expect to leave with tools to apply to their own artistry and their students to help them get out of their heads, trust in their voices, and, most importantly, trust in themselves.
Jillian Paige
Jillian Paige is the Founder of Meisner in Music, the premier class to infuse the Meisner Technique with singing. Jillian received her Master’s in Music Theatre from Oklahoma City University, her Bachelor’s in Classical Vocal Performance from Belmont University, and studied Meisner under Terry Martin (a direct pupil of Meisner’s), and Ted Wold.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
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Wednesday 1st April 2026
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This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
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Shaped by the popular music of its time, musical theatre blends storytelling with an ever-evolving range of vocal styles—from classical legit singing to jazz, hip-hop, and powerhouse belting. Despite its importance, much of what we understand about vibrato comes from laboratory-based studies that strip singing of its musical, stylistic, and performance context. Join Dr Alyssa Becker as she connects current research with real-world pedagogy, revealing how elite musical theatre performers strategically use vibrato to shape style and storytelling, and showing how these insights can be applied in the voice studio to train stylistic flexibility and control!
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Are you a singer or speaker struggling with stubborn jaw tension that just won't quit? Even with elite training, the "stuck" jaw is often a symptom of a surprising culprit: your feet! Join Ruth Hennessy in this interactive workshop where she bridges the gap between podiatry and phonation, moving beyond "temporary fixes" to address the physical misalignments that bottleneck your performance.