Meisner in Music: Merging Beautiful Singing with Emotional Acting
Thursday 29th February 2024, 5:00 PM - 7:00 PM (London Time)
As vocalists, we’re often taught one set of tools in voice lessons and another in acting classes but left on our own to put the two together. It can feel like we have to choose between beautiful singing and emotional acting, sacrificing the integrity of one to focus on the other.
Sanford Meisner, internationally-acclaimed acting teacher (and concert pianist!), spent over 60 years developing a technique that was simplifying, grounding, step-by-step, and allowed artists to stay present, trust themselves, and find freedom in performance. Meisner-trained actors include Academy Award winners Anthony Hopkins, Kathy Bates, Viola Davis and Sam Rockwell.
Even as the highly-effective technique proved to produce some of theatre and film’s finest performances, after Meisner’s death in 1997, the question still remained: 'How do we take this freeing technique that emphasises spoken text and working off a partner and apply it to music and often performing with no partner?'
20 years later, Meisner in Music began to seek to bridge this gap.
While Founder Jillian Paige originally created Meisner in Music to be an acting class technique specifically for singers, over its years of existence we found that it can help musicians with so much more, including performance anxiety, trust in technique, artistic agency, and presence and embodiment both on stage and in life.
In our workshop with the Voice Study Centre, participants will learn the foundational tool of the Meisner technique, 'repetition', and gain insight into additional aspects of the technique that are particularly useful for singers such as emotional preparation and 'the physical impediment'. Attendees can expect to leave with tools to apply to their own artistry and their students to help them get out of their heads, trust in their voices, and, most importantly, trust in themselves.
Jillian Paige
Jillian Paige is the Founder of Meisner in Music, the premier class to infuse the Meisner Technique with singing. Jillian received her Master’s in Music Theatre from Oklahoma City University, her Bachelor’s in Classical Vocal Performance from Belmont University, and studied Meisner under Terry Martin (a direct pupil of Meisner’s), and Ted Wold.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Wednesday 29th October 2025
5:00 PM - 7:00 PM
(London Time)
A neurodiversity-affirmative approach to the voice!
Hilary Davies
In recent years, the music therapy profession has begun to consider the application of the neurodiversity paradigm to music therapy practice, in particular In relation to autism, and an increasing amount of literature embracing this perspective has been published. This lecture, delivered from a lived experience perspective, will provide an explanation of the key concepts around neurodiversity - particular consideration will be given to the use of the voice, both one's own but also to the neurodivergent individual’s particular ways of using language, song and vocal sounds.
Thursday 30th October 2025
5:00 PM - 7:00 PM
(London Time)
Creative Articulation
Annie Morrison
Most of us have little idea of HOW we speak, or what to do to make speech more muscular. Join Annie Morrison (creator of the 'Morrison Bone Prop') for this two hour session on Creative Articulation, a holistic and haptic approach to the touchings and feelings of the articulators in the dance of speech. Seeing articulation as a purely mechanical skill is detrimental to an actor's process: it is crucial to understand what language is doing on a biological level.
Tuesday 4th November 2025
10:00 AM - 12:00 PM
(London Time)
The Belt Voice in R&B/Soul Singing: Vocal Characteristics & Physiology
Dr Matt Allen
The belt’s got soul! This course offers a deep dive into the vocal artistry and biomechanics of R&B/soul singing, with a particular focus on the belt voice—a powerful and expressive vocal technique central to the genre. Drawing from over 80 years of stylistic evolution, the course explores how R&B/soul singing has shaped contemporary commercial music and investigates the unique vocal traits that define its sound.