Mitigating Music Performance Anxiety (MPA) Within the Teaching Studio: Theories & Practical Strategies
Monday 14th April 2025, 5:00 PM - 7:00 PM (London Time)
Tuesday 15th April 2025, 5:00 PM - 7:00 PM (London Time)
Music performance anxiety (MPA) is a debilitating and common form of anxiety affecting student and professional musicians alike, and can shorten performance careers if left untreated. Thus far, treatments for MPA have focused primarily on using psycho-therapeutic and medicinal interventions, both of which must be administered by qualified practitioners with proper education and training in clinical psychology, medicine, or other health disciplines. While numerous treatments exist, the most common treatment for MPA by far is Cognitive Behavioral Therapy (CBT) with exposure therapy, and while the research in support of CBT + exposure is strong, music students often face valid hurdles preventing them from receiving this type of treatment: lack of access to qualified practitioners trained to use CBT with musicians, lack of time, lack of financial means to afford treatment, and stigma associated with psychotherapy.
In recent years, an alternative model for treating MPA has shown great promise among practitioners - training music teachers to use interventions from evidence-based coaching models aimed to treat MPA, rather than continually referring students with MPA to receive psychotherapy like CBT. Such a treatment model would address many, if not all, of the aforementioned hurdles preventing student musicians from receiving effective MPA treatment. The Voice Study Centre has led the charge in researching such an alternative treatment model, by training singing teachers to achieve competency in using Acceptance and Commitment Coaching (ACC) to directly treat their students’ MPA themselves. Thus far, the results of 10 studies in which a singing teacher was trained to use ACC within their voice studio, or within the classroom, have all shown positive support for such a teacher-led treatment model for MPA.
In this two-part course, you will learn about existing MPA treatments and their level of research support, including ACC. You will also learn several strategies from ACC that can be ethically administered by non-clinical professionals within the voice studio as way to effectively treat students’ MPA.
Dr David Juncos
David Juncos, PsyD, is a clinical psychologist, lecturer, performance coach, author, and music performance researcher based in Philadelphia, PA. He has 20 years of experience in treating a variety of clinical problems, including anxiety, mood, and substance use disorders.
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Thursday 4th December 2025
5:00 PM - 7:00 PM
(London Time)
(R)evolutionary Voice Training: harnessing human instinct to accelerate vocal transformation!
Maddie Tarbox
Human beings and our vertebrate ancestors have been communicating via vocalization for millions of years – those sounds did not start as complex language, but as animal mimicry, acoustic cuing, and emotional primal sounds. Join Maddie Tarbox for this two hour session as she unpicks the repertoire of instinctive shortcuts that can lower cognitive load and accelerate vocal change!
Tuesday 9th December 2025
5:00 PM - 7:00 PM
(London Time)
Low Male Voices (LMVs): Development, Technique, and Repertoire
Dr Dann Mitton
Join Dr Dann Mitton for this two hour workshop where he explores the Development, Techniques, and Repertoire favoured for Low Male Voices (LMVs). Typically labelled as 'Bass' and 'Baritone', these classifications are used in classical music, choral settings, and vocal pedagogy to help determine suitable repertoire and vocal roles. In contemporary music, the distinctions are less rigid but still useful for understanding vocal range and timbre.
Thursday 11th December 2025
8:00 AM - 10:00 AM
(London Time)
Picking Up Good Vibrations: Pedagogical and Clinical Voice Analysis!
Dr Calvin Baker
Voice teachers and clinicians strongly rely on auditory perceptual modes of voice evaluation. These are considered the gold standard for assessing voice quality and training effects (e.g., a singer’s progress from lesson to lesson or across voice therapy). Join Dr Calvin Baker as he explores techniques for instrumentally analysing the singing voice. Specific considerations for the challenges of obtaining reliable, robust, and comparable data will be presented, and practical recommendations for recording and analysing the singing voice in pedagogical and clinical contexts will be made.