Short Courses & Events / Archive

Mitigating Music Performance Anxiety (MPA) Within the Teaching Studio: Theories & Practical Strategies

Monday 14th April 2025, 5:00 PM - 7:00 PM (London Time)

Tuesday 15th April 2025, 5:00 PM - 7:00 PM (London Time)

Music performance anxiety (MPA) is a debilitating and common form of anxiety affecting student and professional musicians alike, and can shorten performance careers if left untreated. Thus far, treatments for MPA have focused primarily on using psycho-therapeutic and medicinal interventions, both of which must be administered by qualified practitioners with proper education and training in clinical psychology, medicine, or other health disciplines. While numerous treatments exist, the most common treatment for MPA by far is Cognitive Behavioral Therapy (CBT) with exposure therapy, and while the research in support of CBT + exposure is strong, music students often face valid hurdles preventing them from receiving this type of treatment: lack of access to qualified practitioners trained to use CBT with musicians, lack of time, lack of financial means to afford treatment, and stigma associated with psychotherapy.

In recent years, an alternative model for treating MPA has shown great promise among practitioners - training music teachers to use interventions from evidence-based coaching models aimed to treat MPA, rather than continually referring students with MPA to receive psychotherapy like CBT. Such a treatment model would address many, if not all, of the aforementioned hurdles preventing student musicians from receiving effective MPA treatment. The Voice Study Centre has led the charge in researching such an alternative treatment model, by training singing teachers to achieve competency in using Acceptance and Commitment Coaching (ACC) to directly treat their students’ MPA themselves. Thus far, the results of 10 studies in which a singing teacher was trained to use ACC within their voice studio, or within the classroom, have all shown positive support for such a teacher-led treatment model for MPA.

In this two-part course, you will learn about existing MPA treatments and their level of research support, including ACC. You will also learn several strategies from ACC that can be ethically administered by non-clinical professionals within the voice studio as way to effectively treat students’ MPA.

🏷️ Price £50 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Dr David Juncos

David Juncos, PsyD, is a clinical psychologist, lecturer, performance coach, author, and music performance researcher based in Philadelphia, PA. He has 20 years of experience in treating a variety of clinical problems, including anxiety, mood, and substance use disorders.

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

“Too Much, Too Little, Just Right!” - The Balancing Act Model
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)

“Too Much, Too Little, Just Right!” - The Balancing Act Model

Robert Edwin

The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!

A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching
Thursday 30th July 2026
2:00 PM - 4:00 PM
(London Time)

A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching

William Leigh Knight

Only around 3% of the population fall into the category of amusia while over 17% consider themselves ‘tone-deaf’; and this does not account for non-singers, a wider group sometimes described as ‘tuneless’. So, who are ‘the voiceless’? Join William Leigh-Knight as he unpicks this question and considers the purpose of training a voice, when it is considered such a natural human attribute, and he expands on the principles that drive his own practice, which may be summarised as ‘person-centeredness’

Level Two Certificate in Accents and Phonetics with Louisa Morgan
Monday 3rd August 2026
1:30 PM - 2:30 PM
Tuesday 4th August 2026
1:30 PM - 2:30 PM
Wednesday 5th August 2026
1:30 PM - 2:30 PM
Thursday 6th August 2026
1:30 PM - 2:30 PM
Friday 7th August 2026
1:30 PM - 2:30 PM
(London Time)

Level Two Certificate in Accents and Phonetics with Louisa Morgan

Louisa Morgan

Build on your foundational knowledge of accents and phonetics in this week‑long lunchtime course designed specifically for voice teachers. Whether you have completed our Level 1 Certificate or already possess a basic working knowledge of phonetics and accent work, this Level 2 course will help you deepen your skills, sharpen your analytical ear, and expand your practical toolkit for teaching.