Nasal Resistance Technique: Applications in Clinical and Performance Voice
Friday 11th July 2025, 5:00 PM - 7:00 PM (London Time)
This presentation introduces attendees to the Nasal Resistance (NR) Technique that combines semi-occluded vocal tract (SOVT) benefits with kinesthetic resonance awareness. The NR Technique promotes efficient glottal closure, resonance clarity, and smoother transitions across vocal registers. Its versatility makes it an essential tool for optimizing vocal efficiency in healthy, injured, and singing voices.
Dr. Nandhu Radhakrishnan will introduce the attendees to the theoretical background and clinical relevance of the NR technique using the nasal consonants /m/, /n/, and /ŋ/ (ng). Participants will actively engage in exercises involving nostril occlusion to experience first-hand the effects on airflow resistance, glottal closure, and sympathetic vibrations in the facial mask.
Dr. Kari Ragan will present studio applications of the NR Technique. Drawing from her extensive experience as a Singing Voice Specialist, she will demonstrate exercise patterns using glides and discuss their effectiveness across singing voice training. Attendees will learn how to apply the NR Technique to repertoire excerpts, fostering more efficient, kinaesthetically guided singing. Attendees will be encouraged to mirror exercises, adjust occlusion levels, and engage kinaesthetically through structured practice, ensuring a fully interactive experience.
Participants will leave with practical tools to integrate the NR Technique into teaching, therapy, and performance practices, enhancing sustainable, efficient voice production across diverse populations.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr Kari Ragan
Singer, author, and voice pedagogue Kari Ragan holds degrees from the University of Washington (DMA) and Indiana University (MM, BM). She was the recipient of the prestigious Van L. Lawrence Award (2012), the NATS Foundation Pedagogy Award (2009), and the Wicklund Singing Voice Specialist Certificate (2010), and she was selected as a Master Teacher for the NATS Intern Program in 2021.
Dr Nandhu Radhakrishnan
Dr. Nandhu Radhakrishnan is a Professor at Stephen F. Austin State University located in Nacogdoches, Texas. He is associated with the Communication Science and Disorders Program at the Department of Human Services and Educational Leadership and directs the Vocal Arts & Science: Evaluation & Enhancement (VASEE).
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)
“Too Much, Too Little, Just Right!” - The Balancing Act Model
Robert Edwin
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!
Thursday 30th July 2026
2:00 PM - 4:00 PM
(London Time)
A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching
William Leigh Knight
Only around 3% of the population fall into the category of amusia while over 17% consider themselves ‘tone-deaf’; and this does not account for non-singers, a wider group sometimes described as ‘tuneless’. So, who are ‘the voiceless’? Join William Leigh-Knight as he unpicks this question and considers the purpose of training a voice, when it is considered such a natural human attribute, and he expands on the principles that drive his own practice, which may be summarised as ‘person-centeredness’
Monday 3rd August 2026
1:30 PM - 2:30 PM
Tuesday 4th August 2026
1:30 PM - 2:30 PM
Wednesday 5th August 2026
1:30 PM - 2:30 PM
Thursday 6th August 2026
1:30 PM - 2:30 PM
Friday 7th August 2026
1:30 PM - 2:30 PM
(London Time)
Level Two Certificate in Accents and Phonetics with Louisa Morgan
Louisa Morgan
Build on your foundational knowledge of accents and phonetics in this week‑long lunchtime course designed specifically for voice teachers. Whether you have completed our Level 1 Certificate or already possess a basic working knowledge of phonetics and accent work, this Level 2 course will help you deepen your skills, sharpen your analytical ear, and expand your practical toolkit for teaching.