Short Courses & Events / Archive

Options with laryngeal manipulation: Widening the aperture

Thursday 27th February 2025, 5:00 PM - 7:00 PM (London Time)

Laryngeal manipulation (LM) is a traditional maneuver to aid in resolving voice issues. Introduced by Arnold Aronson in Clinical Voice Disorders in 1980, LM has been continually studied and refined since then. Intended to break up muscle tension, which is seen as causative for aspects of muscle tension dysphonia, LM has been reinterpreted by many but remains a relatively aggressive Intervention. Need that be the case?

Much like historical and contemporary models of more general manual therapy (MT), aggressive soft tissue manipulation is seen by many as a maneuver necessary to break up persistent tightness, tension, scar tissue, adhesions, and other soft tissue-based disorders. However, when examining the broader scope of styles and models of MT, one sees options that require less effort on the clinician's part and offer potentially less sense of threat to the intervention's receiver.

This workshop will provide an overview of the available styles of laryngeal manual therapies, both clinician-applied and self-applied, and offer the voice clinician an understanding of the relative equality of evidence supporting each model. Armed with a balanced view of options, decision-making regarding choosing an appropriate style of MT may be less influenced by tradition and more by client preference.

To provide additional participant value, some basic self-applied laryngeal work will be taught, offering participants insight into stretching and exercise that may help reduce problems and increase vocal output.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Walt Fritz

Walt Fritz, PT, has evolved traditionally taught tissue-based approaches into a unique interpretation of manual therapy. This approach advances views of causation and impact from historical tissue-specific models into a multifactorial narrative, leaning heavily on biopsychosocial influences.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Music Theory Fundamentals for Voice Pedagogues
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)

Music Theory Fundamentals for Voice Pedagogues

Dr David Cane

Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.

Embodied voice research: negotiating the ‘inner’ and outer’
Thursday 7th May 2026
3:00 PM - 5:00 PM
(London Time)

Embodied voice research: negotiating the ‘inner’ and outer’

Marth Munro

The central thrust of the session will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.

Prosody in conversation – crucial for effective communication?
Tuesday 12th May 2026
3:00 PM - 5:00 PM
(London Time)

Prosody in conversation – crucial for effective communication?

Beatrice Szczepek Reed

In this course, we will take an introductory look at what prosody is and consider its functions in natural everyday dialogue. Prosody refers to the rhythm, stress, and intonation of speech. It's the musicality of language that helps convey meaning, emotion, and emphasis in conversation!