Options with laryngeal manipulation: Widening the aperture
Thursday 27th February 2025, 5:00 PM - 7:00 PM (London Time)
Laryngeal manipulation (LM) is a traditional maneuver to aid in resolving voice issues. Introduced by Arnold Aronson in Clinical Voice Disorders in 1980, LM has been continually studied and refined since then. Intended to break up muscle tension, which is seen as causative for aspects of muscle tension dysphonia, LM has been reinterpreted by many but remains a relatively aggressive Intervention. Need that be the case?
Much like historical and contemporary models of more general manual therapy (MT), aggressive soft tissue manipulation is seen by many as a maneuver necessary to break up persistent tightness, tension, scar tissue, adhesions, and other soft tissue-based disorders. However, when examining the broader scope of styles and models of MT, one sees options that require less effort on the clinician's part and offer potentially less sense of threat to the intervention's receiver.
This workshop will provide an overview of the available styles of laryngeal manual therapies, both clinician-applied and self-applied, and offer the voice clinician an understanding of the relative equality of evidence supporting each model. Armed with a balanced view of options, decision-making regarding choosing an appropriate style of MT may be less influenced by tradition and more by client preference.
To provide additional participant value, some basic self-applied laryngeal work will be taught, offering participants insight into stretching and exercise that may help reduce problems and increase vocal output.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Walt Fritz
Walt Fritz, PT, has evolved traditionally taught tissue-based approaches into a unique interpretation of manual therapy. This approach advances views of causation and impact from historical tissue-specific models into a multifactorial narrative, leaning heavily on biopsychosocial influences.

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Monday 2nd June 2025
5:00 PM - 7:00 PM
Monday 9th June 2025
5:00 PM - 7:00 PM
Monday 16th June 2025
5:00 PM - 7:00 PM
Monday 23rd June 2025
5:00 PM - 7:00 PM
Monday 30th June 2025
5:00 PM - 7:00 PM
(London Time)
Certificate in Foundations of Vocology with Adam Roberts

Adam Roberts
This fifteen week (30-hour) Vocology Cohort Intensive provides a comprehensive overview of basic vocal anatomy, physiology, and theories of voice production & perception, fundamentals of vocal health, pathology, evaluation, performance, and habilitation of the speaking and singing voice, and a survey of research, resources, and professional opportunities.

Monday 23rd June 2025
12:00 PM - 1:30 PM
Tuesday 24th June 2025
12:00 PM - 1:30 PM
Wednesday 25th June 2025
12:00 PM - 1:30 PM
Thursday 26th June 2025
12:00 PM - 1:30 PM
Friday 27th June 2025
12:00 PM - 1:30 PM
(London Time)
Introduction to Postgraduate Academic Skills - Join Live!

Debbie Winter
Are you ready to elevate your academic journey? Hosted by our very own Debbie Winter, join our comprehensive Introduction to Academic Skills course, designed to equip you with essential tools and strategies for success in higher education. Perfect for bridging the gap between undergraduate and postgraduate study, this course offers a pathway to our full MA for students without an existing degree. We offer both live, interactive sessions and standalone, pre-recorded content.


Tuesday 24th June 2025
5:00 PM - 7:00 PM
(London Time)
Mastering Vocal Vibrato: The Science of Production and Perception

Professor Helena Daffern
Is vocal vibrato something that can and should be consciously controlled? What makes a ‘good vibrato’ and is there such a thing as ‘healthy’ and ‘unhealthy’ vibrato? Vibrato is a common musical feature, and yet it remains a controversial topic amongst pedagogues and singers. Join Professor Helena Daffern where she will dive into these and other aspects vibrato!