Short Courses & Events / Archive

Pop Pedagogy

Monday 17th February 2025, 5:00 PM - 7:00 PM (London Time)

As the ‘newest’ of the singing styles to be taught in music institutions and private studios, the pedagogy for teaching popular singing is still in its early stages relative to other styles of singing, particularly classical singing. However, pop pedagogy has been developing steadily since the year 2000 when the author was part of the team that developed and delivered one of the very first degrees in Popular Music in the UK.  Since then, pop music courses have proliferated worldwide.

We also live in a time when some successful pop stars are celebrating career lengths of over sixty years, having been around since the 1950s when pop music emerged and diversified from jazz, so pop singing has been in existence sufficiently long now that, for teaching purposes, we can observe and analyse what type of approach serves it best, in and of itself.

Whilst contemporary singing certainly shares many areas with other styles of singing, the specifics are distinctive and “non-generic”, thereby requiring a certain level of specialised knowledge, training, experience, and competence to perform it authentically. This course will deliver an overview of the requirements for teaching contemporary singers, presented under three main headings: Technique, Musicianship and Interpretation.

To further fill out the content for each category, the author has reverse engineered what pop singers need to be able to do and know about to be effective in the music industry, so it’s based on observations from her many years of high-level performing, teaching experience and post-graduate studies. These findings have been published in book form and summarised as a curriculum poster.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Kim Chandler

Kim Chandler (MMus BMusEd) is a renowned contemporary vocal coach & session singer. She runs a busy private studio in Marbella, Spain, where she coaches an elite clientele of stadium band singers, including BRIT award winners & GRAMMY nominees, artists from a range of genres, professional singers and vocal coaches online.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

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Certificated Public Speaking Coach qualification - with John Henny

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Would you like to be a certified public speaking coach? Join the renowned John Henny for this exciting new online course! This six-week online certification course is designed to equip voice teachers with the specialised skills needed to work with public speakers, corporate trainers, educators, and presenters. Unlike a general public speaking course, this program is specifically tailored to train-the-trainer, giving voice professionals structured methodologies, coaching techniques, and applied skills to enhance vocal delivery, confidence, and influence in professional speakers.

Transitioning From Soprano To Mezzo-Soprano - Pedagogical Approaches!
Thursday 24th July 2025
5:00 PM - 6:00 PM
(London Time)

Transitioning From Soprano To Mezzo-Soprano - Pedagogical Approaches!

Dr Caitlin Moore

This workshop will explore the considerations for transitioning from soprano to mezzo-soprano. We will examine the history and vocal science related to voice classification as well as interviews with singers and voice teachers. Interviews feature singers who have experienced this Fach change themselves, as well as voice teachers who have helped singers navigate this shift.

Towards a Jazz Pedagogy: Lessons from Legends and Educators!
Tuesday 29th July 2025
5:00 PM - 7:00 PM
(London Time)

Towards a Jazz Pedagogy: Lessons from Legends and Educators!

Dr Autumn Griffin

Join Dr Autumn Griffin as she explores the foundational tenets of jazz pedagogy as both a conceptual and practical framework for teaching, in this two-hour workshop. Drawing from her research in “Towards a Jazz Pedagogy: Learning with and from Jazz Greats and Great Educators,” she’ll investigate how jazz (its historical and cultural legacy, structure, improvisation, and relationality) can be mobilized to inform dynamic, liberatory educational practice!